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Bruckner 7 [Hybrid SACD]
Anton Bruckner, Bernard Haitink, Chicago Symphony Orchestra
Bruckner 7 [Hybrid SACD]
Genre: Classical
 
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All Artists: Anton Bruckner, Bernard Haitink, Chicago Symphony Orchestra
Title: Bruckner 7 [Hybrid SACD]
Members Wishing: 0
Total Copies: 0
Label: CSO Resound
Original Release Date: 1/1/2007
Re-Release Date: 10/9/2007
Album Type: Hybrid SACD - DSD
Genre: Classical
Styles: Historical Periods, Classical (c.1770-1830), Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 810449017060, 088148870112

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CD Reviews

Haitink's Grand, Glorious Interpretation of the Bruckner 7th
John Kwok | New York, NY USA | 07/31/2008
(5 out of 5 stars)

"What a grand, glorious feast for the ears is Haitink's latest Bruckner recording with the Chicago Symphony Orchestra for the symphony's CSO-RESOUND label. Recorded during live concerts last year, producer James Mallinson and his staff have wrought yet another splendid recording of Haitink conducting the Chicago Symphony Orchestra, demonstrating that the orchestra is once more an ensemble that is second to none with respect to its sterling musicianship, under the command of our greatest living interpreter of Bruckner. I honestly don't know whether this superb account is better than Haitink's earlier, critically acclaimed recordings with the Royal Concertgebouw Orchestra and Wiener Philharmoniker, except in this respect: it is quite simply the best recorded performance of a Bruckner symphony I have heard so far. Mallinson and his team has brought the listener into the orchestra itself, allowing us to hear it as though we were standing alongside Haitink at the conductor's podium.



Haitink's interpretation is one that is replete with great clarity, precise intonation and empathy for Bruckner and his score. From the opening notes in the first movement (Allegro moderato) we are treated to exceptionally warm playing from the strings, winds and brass, culminating in a "call and response" motif between the brass and strings which Bruckner uses again, in varying degrees, throughout the symphony. The second movement (Adagio: Sehr feierlich und sehr langsam) features prominently this same motif, albeit in a slower tempo, and, of course, subtle variations. The third movement reminds me a little of a fast-paced polka in its rhythm (Scherzo: Sehr schnell), or rather, perhaps more accurately, a traditional country folk Landler dance which Bruckner may have been familiar with. The symphony concludes with yet another swift movement (Finale: Begewt, doch nicht schnell) going out in a blaze of glory in a restrained, but still exquisite, brass fanfare. For anyone seeking a recent, well-produced recording of the Bruckner 7th Symphony No. 7 in E major, then the potential listener needs to look no further; without question, I must regard this as a definitive recording of this work.

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