Search - Lumley Books Anonymous, Augustine Bassano, Hieronymus Bassano :: Birds on Fire: Jewish Music for Viols

Birds on Fire: Jewish Music for Viols
Lumley Books Anonymous, Augustine Bassano, Hieronymus Bassano
Birds on Fire: Jewish Music for Viols
Genres: Dance & Electronic, Special Interest, Classical
 
  •  Track Listings (25) - Disc #1


     

CD Details

All Artists: Lumley Books Anonymous, Augustine Bassano, Hieronymus Bassano, Leonora Duarte, Orlando Gough, Joseph Lupo, Thomas Lupo, Salomone Rossi, Philip van Wilder, Fretwork
Title: Birds on Fire: Jewish Music for Viols
Members Wishing: 1
Total Copies: 0
Label: Harmonia Mundi Fr.
Original Release Date: 1/1/2008
Re-Release Date: 5/13/2008
Album Type: Import
Genres: Dance & Electronic, Special Interest, Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 093046747824

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CD Reviews

Very nice - Mostly Tudor, a little modern
W. P. Gardner | Menlo Park, CA, United States | 05/14/2008
(5 out of 5 stars)

"I didn't know anyone wrote for viols nowadays. Most of this music is from the Tudor period but it is bracketed by a new composition by Orlando Gough called Birds on Fire. Gough's piece is a bit like the Kronos Quartet CD of The Dreams and Prayers of Isaac the Blind (composed by Osvaldo Golijov).



This is a very nice recording. If you like Fretwork or Kronos, you will probably like this."
A Fine New Recording of Tudor Music...
Giordano Bruno | Wherever I am, I am. | 03/15/2009
(5 out of 5 stars)

"... for violas da gamba, which doesn't really need the Jewish "shtick" to be appealing. The principal composers here - Bassano, the Lupos, Duarte - were Venetians, members of dynastic families of musicians and instrument makers; compositionally, they were assimilated English folk. Salomone Rossi was indeed forthrightly Jewish but granted protection and the right NOT to wear his yellow star in Mantua. Rossi made the only significant effort by any Renaissance/Baroque composer to set Jewish liturgy to the music of his times, but none of that impulse shows up in his consort music.



None of the consort pieces on this CD will elevate the composers to the status of Locke, Jenkins, or Tye, but they are all modestly witty and fun to hear. Many of them take the forms of courtly dances popular in Tudor times, pointing toward the seminal role of dance music in the suites that eventually gave their names to the movements of classical quartets and symphonies.



Yes, Virginia, there are living composers of music for violas da gamba, and Fretwork has commissioned and performed some of the best. The three "Birds on Fire" fantasias by Orlando Gough recorded here have much more obvious touches of Jewish musical tradition than the Tudor/Italian works. I find them interesting enough that I wish I could hear more of the composer's work in its own context... and by implication more of Bassano and Rossi here."
Expand your classical music horizon both forward and backwar
Stephen J. Snyder | Lancaster, Texas United States | 10/26/2008
(5 out of 5 stars)

"This is primarily Tudor-era music, and specifically Jewish English music. That is despite Jews having officially been booted from England by Edward III back in 1290; modern scholarship says some Italians of apparent Jewish background were among court musicians.



If you're familiar with Fretwork, you know it's simply great; if you're not familiar with the group, buy both this CD and its recording of Bach's "Art of Fugue."



The period music is sandwiched by a klezmer-like piece by modern composer Orlando Gough, worth a good listen itself. "Birds on Fire" becomes the title for the album as well."