Search - Bill Evans :: Soulgrass

Soulgrass
Bill Evans
Soulgrass
Genres: Jazz, Pop
 
  •  Track Listings (10) - Disc #1

Former Miles Davis sideman Evans steps into an adventurous territory on 'Soulgrass', blending jazz, funk and bluegrass into a seamless and wholly unique hybrid of quintessentially American styles. Joining the great saxopho...  more »

     
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CD Details

All Artists: Bill Evans
Title: Soulgrass
Members Wishing: 2
Total Copies: 0
Label: Bhm Productions
Original Release Date: 1/1/2006
Re-Release Date: 8/29/2006
Genres: Jazz, Pop
Styles: Cool Jazz, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 090204899746, 0090204899746

Synopsis

Album Description
Former Miles Davis sideman Evans steps into an adventurous territory on 'Soulgrass', blending jazz, funk and bluegrass into a seamless and wholly unique hybrid of quintessentially American styles. Joining the great saxophonist on this pioneering effort, which was recorded entirely in Nashville, are the legendary Bela Fleck, Victor Wooten, Vinnie colaiuta, Mark Egan, Bruce Hornsby, Clifford Carter, Dave Kikoski, David Charles and John Scofield. Album was nominated in 2006 for a Grammy in the "Best Contemporary Jazz Album" Category!

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CD Reviews

Don't blame the artist for your ignorance.
The Only Reviewer That Matters | 01/18/2007
(5 out of 5 stars)

"If you're too ignorant to know the difference between Bill Evans the piano player and Bill Evans the sax player, that's YOUR problem, not the artist's. The one-star review that is "for Amazon" illustrates your total lack of understanding of jazz; you should be ashamed for being so stupid. Bill Evans the sax player happens to be an outstanding musician who has been making great music for decades. Bill Evans the piano player was also a great musician. Why disparage the sax player because YOU can't keep the two straight? Seriously, you all come off sounding like dopes."
There's Bill Evans, and Then There's Bill Evans
David Orgel | Arlington, VA | 10/26/2006
(5 out of 5 stars)

"(I haven't listened to this CD, so please disregard my rating.)



Note that there were _two_ Bill Evanses who played with Miles Davis -- in fact, all of the albums in Amazon's "Customers who bought items like this also bought" list are by the _other_ Bill Evans, the great pianist who died in 1980 and who was integrally involved in the creation of Davis's classic 1959 album, Kind of Blue.



This one here is the saxophonist who first joined Miles in the 1980s. Sax Davis plays on four Miles albums -- The Man With The Horn (1981), We Want Miles (1982), Star People (1983), and Decoy (1984). Impressive, but hardly Kind of Blue."
Since no one else has actually reviewed the CD...
Ryan Fletcher | San Jose, CA United States | 12/04/2006
(5 out of 5 stars)

"I bought this CD as an international import before it was released to the US, so it was fairly expensive. I can say that it was easily worth every penny, and the CD has been in my car's CD changer since. I was originally intrigued by the Bela Fleck connection (I own a wide variety of Bela's CDs, both with and without the Flecktones), but found the musicianship on this album to be as outstanding as any Flecktone CD. While not groundbreaking, Evans' sax work is extremely solid, and he's surrounded himself with a wide variery of outstanding musicians. Any track that features Evans, Bela, Vic Wooten and Vinnie Colaiuta, such as "Snapdragon", is a near-automatic favorite, but I wasn't let down by any track on the CD.



Right before the CD originally came out, they did an 8-show run at Yoshi's jazz club in Oakland, CA with Evans, Bela, Vinnie, Jimmy Haslip on bass and Darol Anger on violin. I knew it would be a rare chance to catch Bela at what is probably my favorite venue in the world, so I went to both the first and last shows of the run. The first time, they were clearly still learning material--sheet music was out and the level of exploration was a little bit less than what I was expecting--which is perhaps to be naturally expected given that these five have not played with each other often (at least publicly or in the studio). The second time, the sheet music was generally gone and the show is firmly fixed in my mind as one of the best I have ever seen."