Search - Benny Goodman :: 1931-1935

THE UNFOLDING OF A DISTINCTIVE ORCHESTRAL SOUND

Barry McCanna | Normandy, France | 11/02/2007

(4 out of 5 stars)

"This 2-CD set has been compiled by reference to Goodman's recordings during the period 1931-1935, beginning with his participation in the final Charleston Chasers session. The 1931 Melotone sessions are skipped, and we rejoin him leading a studio band for Columbia, the two October sessions of which produced the four famous Teagarden vocals. They were followed by Billie Holiday's two debut recordings, and the following session has vocals by Mildred Bailey.



The recordings continue chronologically, and conclude in February 1935, including en route several alternate and unissued takes. These sessions were relatively sparse, given what was to follow, and Goodman was less to the fore. Indeed, one is more aware on the earlier sides of the magisterial presence of Big T, whilst the combination of Dick McDonough, Artie Bernstein, and Gene Krupa propel things along irresistibly.



One of the drawbacks of a comprehensive set like this is that the quality of the material is inconsistent. Yet there are some fine recordings here; apart from those mentioned other highlights include Moon Glow, Stars Fell On Alabama, Solitude, I'm Getting Sentimental Over You, and Cokey. There's also the pleasure of hearing Helen Ward kick off her stay with Goodman with I'm A Hundred Percent For You.



The set is well packaged and includes a glossy illustrated booklet with liner notes by Tony Russell, and a full discography."