Search - Johann Sebastian Bach, Murray Perahia :: Bach: English Suites 1 3 & 6

Expressive purpose

GLC | Narrabri, NSW, Australia | 02/01/2006

(5 out of 5 stars)

"Murray Perahia's exploration of the Bach English Suites is fully fleshed out in this sumptuous recording. Perahia displays every facet and nuance of Bach's harmonically rich and melodically joyful Suites on the one instrument which can delve into the profound aural potential of the Baroque master's keyboard compositions: the piano. With ample skill and profoundly beautiful technique, Perahia gives each new idea life and instrumental vivacity. Bass passages spring out with the power of the plucked string of the cello; treble passages entwine themselves with the harmonic urge below; each idea penned by the worthy composer is realised with its own colour and character by Perahia, as though played by an ensemble of skillful musicians. Every vocal line tugs at the spirit, replete with intention. A powerful, subtle and much appreciated recording. Thankyou, J.S. Bach. Thankyou, Murray Perahia."

Exquisite Playing Of These Bach Piano Pieces By Noted Americ

John Kwok | New York, NY USA | 08/22/2007

(5 out of 5 stars)

"In the liner notes to his 1998 recording of the "Bach English Suites Nos. 1, 3, 6", distinguished American pianist Murray Perahia makes these observations about the complex harmonic structures which are Bach's counterpoint in these piano pieces, "These structures are not merely clever abstractions: Through the frustration or fulfillment of different musical goals, through the deceiving and delaying of musical expectations, an emotional ebb and flow is created that is never satisfied until the piece is finished. The structure guides the emotions, without which there can be no music. Thus the heart and the mind are united. Bach's genius is to evoke timeless and true human emotions, through the purity and spirituality of his writing - which, ultimately, stands apart from any specific instrumental environment." Having said this, Perahia is indeed a superb guide to these scores, since his playing is elegant, refined, and thoughtful, without the added hubris of excessive emotion. Instead, through his own brilliant technique, he subtly emphasizes the complex harmonic progressions inherent in these scores, whether they are, for example, the prelude that begins the English Suite No. 1 in A Major, or a simple folk melody like the Gigue which closes English Suite No. 6 in D Minor. This is indeed, some of the best piano performances of Bach's pieces that I have heard in a recent recording, made at the classic Swiss recital hall at La Chaux-de-Fonds, Switzerland, which was also the venue of some of the great Beaux Arts Trio and the very last pianist Claudio Arrau recordings made by Philips in the 1980s. While I'm not sure that this is indeed a definitive recording of these pieces, I do think that they are quite exceptional and worthy acquisitions for fans of Perahia's recordings and Bach's solo works for the piano."

Sparkling and beautiful

Brian Clever | Oswego, IL USA | 02/06/2008

(5 out of 5 stars)

"For the last twenty years I was a huge fan of Glenn Gould to the point

that I believed that when it came to Bach, Gould's was the only opinion

that mattered. After having recently been shown that this was not

necessarily the case I pursued a few other recordings of the English

Suites, including Perahia's and Hewitt's.



In my humble opinion, this one even surpasses the Gould set. I can't

stand the Hewitt set as it sounds to me like she read most of the parts

in the studio and she noticably gets fatigued in many of the ornamentations.



Perahia gives Bach even more life than I thought possible, sparkling

and beautiful. The modern piano and studio also help to put this

recording over the top for me. If you are still skeptical, download

the Gavotte II from Suite No. 6 or the Courante from Suite No. 3. These

are good examples of how the entire set is played by Perahia."