Search - Johann Sebastian Bach, Emmanuelle Haim, Le Concert d'Astree :: Bach: Cantatas, BWV 51, 82a, 199

Bach: Cantatas, BWV 51, 82a, 199
Johann Sebastian Bach, Emmanuelle Haim, Le Concert d'Astree
Bach: Cantatas, BWV 51, 82a, 199
Genres: International Music, Classical
 
  •  Track Listings (18) - Disc #1

Outstanding soprano Natalie Dessay and conductor Emmanuelle Haïm have displayed a unique and powerful musical understanding of each other on their numerous Handel recordings for Virgin Classics. Following their recent...  more »

     
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CD Details

All Artists: Johann Sebastian Bach, Emmanuelle Haim, Le Concert d'Astree, Natalie Dessay
Title: Bach: Cantatas, BWV 51, 82a, 199
Members Wishing: 1
Total Copies: 0
Label: Virgin Classics
Original Release Date: 1/1/2008
Re-Release Date: 1/13/2009
Genres: International Music, Classical
Styles: Europe, Continental Europe, Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 400000013060, 5099951931421

Synopsis

Album Description
Outstanding soprano Natalie Dessay and conductor Emmanuelle Haïm have displayed a unique and powerful musical understanding of each other on their numerous Handel recordings for Virgin Classics. Following their recent recording of Bach's Magnificat and Handel's Dixit Dominus, Dessay and Haïm decided to record their first all-Bach recital. The program features three of Bach's glorious cantatas, including the great Ich habe genug, in Bach's own arrangement for soprano, BWV 82a. For the other two cantatas, the two women chose Jauchzet Gott in allen Landen -- one of Bach's best-known cantatas, with a gorgeous and virtuosic part for solo trumpet performed here by Neil Brough -- and Mein Herze schwimmt im Blut, one of the earliest cantatas Bach composed. On all three, Dessay and Haïm rise above the technical demands to produce music of breathtaking beauty.
 

CD Reviews

Bel canto Bach
Valkyrie | Scandinavia | 05/02/2009
(2 out of 5 stars)

"It was with interest I noticed that Natalie Dessay had made this recording of Bach cantatas. It is demanding music, which probably does not lie within her normal repertoire. I'm a big fan of Natalie Dessay's, whom I recently saw doing " La Sonnambula" at The Met. That was quite an amazing experience, both her singing and her stage presence. Natalie Dessay sings these difficult Bach arias like her bel canto arias, and this is not necessarily a good way to do it. In my opinion, she lacks the precision and clarity needed, and her pronunciation of the German language leaves much to be desired. I find Emmanuelle Haïm's orchestral treatment somewhat dry and lacking in energy, and the sound balance of the recording seems slightly discordant. The overall impression is not convincing, and several times while I was listening I found myself thinking of other things. Natalie Dessay produces a beautiful sound, and on stage she is a compelling artist, but I can not give this recording more than two stars. For the optimal recording of Bach's cantata BWV 51 I recommend Richter's with Edith Mathis."
New light over Bach's Cantatas
Antonio Mustaros | Naucalpan, Estado de México Mexico | 05/18/2009
(5 out of 5 stars)

"Here at last, the best recording available of this well known cantatas. The transparence, clarity and angelical beauty of the voice of Natalie Dessay shines gloriously by the marvellous job of direction of Emmanuelle Haïm and her superb orchestra Le Concert D'Astree. In this recording, as she did previously in the astonishing Louis Langree's version of Mozart's Mass in C minor, Dessay is too far from the Opera world, giving the definitive proof that she can sing baroque music with a contained voice, minimun vibrato and a great understanding of this Bach's masterworks.

Just listen to some samples of the recording and I'm sure that You buy it as fast as you can and start to live in the divine creations of Bach."