Artist Info

  • Name: Wilhelm Kempff
  • Birthday: 11/25/1895
  • Birth Place: Jüterbog, Germany
  • Died: 05/23/1991
  • Place of Death: Positano, Italy
  • Period: Modern
  • Genre: Classical

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Works & Performances

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Title Release
  •  Beethoven: Sonate; Brahms: 6 Klavierstücke; Chopin: Berceuse
  • 2007
  •  Steinway Legends: Wilhelm Kempff
  • 2006
  •  Schumann: Concerto pour piano; Scènes d'enfants; Carnaval
  • 2005
  •  Complete 1950s Solo Recordings [Box Set] W
  • 2003
  •  Wilhelm Kempff
  • 2003
  •  Beethoven: Piano Sonatas, Vol. 2
  • 2002
  •  Kempff Plays Beethoven, Vol. 1
  • 2002
  •  The Complete 1950's Concerto Recordings [Box Set] W
  • 2002
  •  Brahms: 4 Ballades; Intermezzos; Schumann: Piano Sonata No. 2; Schubert: Piano Sonata D566
  • 2001
  •  Brahms: Piano Sonata No. 3; Schumann: Papillons; Fantasie in C
  • 2001
  •  Schumann: Fantasie C-Dur Op. 17; Beethoven: Sechs Bagatellen Op. 126; Brahms: Sonate F-Moll Op. 5
  • 2001
  •  Bach: Chromatic Fantasia & Fugue; Beethoven: Piano Sonata No. 22; Schubert: 3 Piano Pieces W
  • 2000
  •  Jesu, Joy of Man's Desiring: Favorite Piano Transcriptions
  • 2000
  •  Schumann: Kinderszenen
  • 2000
  •  Mozart: Piano Concertos Nos. 8, 23 & 24
  • 1999
  •  Wilhelm Kempff 2
  • 1999
  •  Wilhelm Kempff 3
  • 1999
  •  Beethoven: Piano Concerto No.5; Piano Sonata Op.106
  • 1998
  •  Beethoven: Piano Concertos Nos.1 - 4
  • 1998
  •  Schubert: Wanderer-Fantaisie; Impromptus
  • 1998
  •  Wilhelm Kempff 1
  • 1998
  •  Schubert: Wanderer-Fantasie and Other Works for Piano
  • 1996
  •  Wilhelm Kampff Plays Chopin, Vol. 2
  • 1996
  •  Wilhelm Kempff Plays Chopin, Vol. 1
  • 1996
  •  Beethoven: Die Klaviersonaten [Box Set]
  • 1995
  •  Beethoven: Piano Sonatas
  • 1995
  •  Brahms: Piano Concerto No. 1; Händel-Variationen
  • 1995
  •  Schumann: Fantasie: Symphonische Etüden
  • 1995
  •  Bach: Goldberg Variations
  • 1994
  •  Schubert: Impromptus; Moments musicaux; Piano Sonatas W
  • 1994
  •  Bach: Piano Transcriptions
  • 1993
  •  Mozart: Piano Concertos Nos. 8, 23, 24, 27
  • 1993
  •  Wilhelm Kempff Plays Brahms
  • 1992
  •  Beethoven: Piano Concertos Nos. 3 & 4
  • 1987
  •  Bach: Englische Suite No. 3; Capriccio; Transkriptionen für Klavier
  • 1976
  •  Schumann: Piano Works
  • 1975
  •  A Beethoven Piano Weekend
  •  Beethoven: 5 Klavierkonzerte
  •  Beethoven: Concertos Nos. 3 & 5
  •  Beethoven: Die Klavierkonzerte W
  •  Beethoven: Klavierkonzerte Nos. 4 & 5 W
  •  Beethoven: Klaviersonaten [Box Set]
  •  Beethoven: Piano Concertos 1 & 4
  •  Beethoven: Piano Concertos 3 & 5
  •  Beethoven: Piano Concertos No. 4 & 5
  •  Beethoven: Piano Sonatas / Rondo A Capriccio
  •  Beethoven: Piano Sonatas Nos. 14, 17 and 23
  •  Beethoven: Piano Sonatas Nos. 8, 14 & 15
  •  Beethoven: The Late Piano Sonatas
  •  Beethoven: Works for Piano [Box Set]
  •  Brahms: Fantasien Op.116/Intermezzi Op.117/Klavierstücke Op.118 & 119
  •  Chopin: Ballade No. 3; Andante spinato & Grande Polonaise brillante Op. 22; Fantasia Op. 49; Polonaise-Fantaisie
  •  Cycle Ludwig Van Beethoven, Vol. 6
  •  Cycle Ludwig Van Beethoven, Vol. 7
  •  Fryderyk Chopin, Vol. 2
  •  Kempff Plays Mozart, Schubert, Beethoven, Brahms
  •  Mozart: Concerto No. 20, KV 466; Beethoven: Concertos No. 4 & 5
  •  Schubert: The Piano Sonatas [Box Set]
  •  Schubert: Wanderer Fantasy/Impromptus
  •  Wilhelm Kempff plays Chopin
  • (2) Alle, song for voice & piano, Op. 52, No. 6
  • 1964
  •  Arcadian Suite for small orchestra, Op 49 (after Watteau)
  • 1995
  • (3) Befiehl du deine Wege, transcription for piano (after J. S. Bach's, BWV 727)
  • 1991
  • (2) Der Gesang des Meeres, Op. 53, No. 6
  • 1964
  •  Ein Totentanz, concerto in suite form for piano, string orchestra, percussion and mixed chorus, Op 37
  • 1995
  • (3) Es ist gewisslich an der Zeit, transcription for piano (after J.S. Bach, BWV307)
  • 1991
  • (5) Ich ruf zu dir Herr Jesus Christus, transcription for piano (after J. S. Bach, BWV 639)
  • 1991
  • (2) In dulci jubilo, transcription for piano (after J. S. Bach, BWV 751)
  • 1991
  • (2) In einer Sturmnacht (Nikodemus), song for voice & piano, Op. 55, No. 1
  • 1964
  •  Italian Suite for piano, Op 68
  • 1991
  • (7) Jesu bleibet meine Freude, transcription for piano (after J.S. Bach, BWV 147)
  • (2) Largo from Concerto in F minor, transcription for piano (after J. S. Bach, BWV 1056)
  • 1991
  •  Libellen über dem Froschteich, for piano
  • 1953
  • (2) Liederseelen, song for voice & piano, Op. 56, No. 1
  • 1964
  •  Menuet in G minor, transcription for piano (after Handel, HWV 452)
  • 1991
  • (3) Nun komm der Heiden Heiland, transcription for piano (after J. S. Bach BWV 659a)
  • 1991
  •  Orpheus' Lament and Dance of the Blessed Spirits, transcription for piano (after Gluck: Orfeo ed Euridice)
  • 1991
  • (2) Pastorale variée, for piano
  • 1992
  •  Piano Sonata in G minor, Op. 47
  • 1991
  •  Positano-Suite for string orchestra, Op 73
  • 1995
  • (3) Quartet in G major for piano, flute, violin and cello, Op. 15
  • 1995
  •  Schafe können sicher weiden, transcription for piano (after J. S. Bach, BWV 208)
  • (7) Siciliano from Flute Sonata in E major, transcription for piano (after J. S. Bach BWV 1031)
  • 1996
  • (3) Sinfonia from Wir danken dir, transcription for piano (after J.S. Bach, BWV 29)
  • 1991
  • (2) Trio for piano, violin and cello in G minor
  • 1995
  • (5) Wachet auf! ruft uns die Stimme, transcription for piano (after Bach, BWV 645)
  • 1991
  •  Work(s)
  • 2000

    Individual Bio

    One of the twentieth century's most important pianists, Wilhelm Kempff found warmth in Beethoven where many others discovered only stress and passion. Concentrating on the composers of the late classical and early-to-middle romantic periods, Kempff achieved graceful, amiable results while not neglecting the sterner core of this music. His nobility of purpose was everywhere evident, made manifest through lucid textures, an adherence to a flowing legato, and tonal shading. In addition, he was a composer whose oeuvre included two symphonies, four operas, songs, and solo piano works.

    Trained first by his Lutheran church musician father, Kempff studied privately before entering Berlin's Hochschule für Musik at age 9. In 1914, he traveled to Potsdam for further studies at the Viktoriagymnasium before returning to Berlin to finish his work at the Hochschule and enroll at the university. At age 20, Kempff served as organist and pianist on a tour of Germany and Scandinavia by the Berlin Cathedral Choir. A successful 1917 piano recital at the Berlin Singakademie led to an engagement the following year with the Berlin Philharmonic, the first of innumerable collaborations with that august ensemble. During the 1920s and 1930s, he toured South America and Japan, as well as many parts of Europe, adding to his reputation for uncompromising musicianship and personable interpretation. At the same time, he taught, serving first as director at the Stuttgart Musikhochschule from 1924 to 1929 and, later, as piano instructor at Potsdam's Mamorpalais for the decade before WWII. The war kept his activities confined to Germany, but with its end, Kempff once more resumed a busy performance schedule.

    England and America heard Kempff only later. In London, the public, including a large number of German émigrés, applauded him upon his first appearance there in 1951. Not until 1964 did New York hear the pianist in person, although by then his many Deutsche Grammophon recordings had already established his stature for Americans. Indeed, Kempff's long and fruitful relationship with that label had brought to the market a long list of desirable recordings, among them the complete Beethoven piano concerti; the sonatas; a relaxed, but rewarding survey with Wolfgang Schneiderhan of the Beethoven violin sonatas; and various collections of Schubert, Schumann, Chopin, and Brahms. ~ Erik Eriksson, All Music Guide