John Culshaw, like his renowned rival
Walter Legge of EMI, was one of the legends of record producing who was known for his technical mastery as well as his management and diplomatic skills (the latter were not considered
Legge's forte) despite his lack of formal music education. He joined Decca in 1946, rising to the position of senior producer in 1956, which coincided with the rise of stereo recordings. There, he became particularly well known for his
Strauss and
opera recordings, including the now-legendary Till Eulenspiegels with
Fritz Reiner and the first commercial and uncut recording of
Wagner's entire Ring cycle under
Georg Solti, then only beginning his own rise to fame.
Solti and
Culshaw began this project with what they themselves called a pilot test, a recording of the third act of Die Walküre that was so successful that they were allowed to undertake the whole cycle, which was started in 1958 and completed in 1966. The
Vienna Philharmonic recognized him in 1959 with the prestigious Nicholai Medal and in 1967,
Culshaw and
Solti received a Grammy for the complete Ring recording.
Culshaw was one of the first
classical producers to consider a recording as something that could go beyond a simulation of what the listener might hear in the
symphony hall or
opera house and becoming an art form of its own. Some of the "special effects" in that Ring cycle recording, though still controversial, have yet to be matched, even with advances in technology. He also persuaded
Benjamin Britten to reconsider his suspicion of records and the recording process and
Britten conducted some of the most powerful recordings of his own works for Decca. In 1967,
Culshaw left Decca to become the music director for the BBC, where he championed
opera and even persuaded
Britten write an
opera, Owen Wingrave, for television. He retired from full-time work in 1975, though he remained active as a freelance producer and writer. ~ Ann Feeney, All Music Guide