Louis Metcalf seemed to be everywhere in the 1920s, but was largely forgotten once the Depression hit, despite remaining active into the late '60s. He played with
Charlie Creath in St. Louis in the early '20s, moved to New York, backed a variety of classic
blues singers, and worked with
Willie "the Lion" Smith,
Sidney Bechet,
Elmer Snowden,
Charlie Johnson, and
Sam Wooding. His most important association was with
Duke Ellington, recording with him in 1926 and being a regular member of his orchestra during 1927-1928.
Metcalf's solo style was a contrast to the wah-wah playing of
Bubber Miley. He also played with
Jelly Roll Morton,
King Oliver, and
Luis Russell, and recorded with
Bessie Smith in 1931. But after that, he stopped recording, leading a band in Montreal and working in the Midwest.
Metcalf was back in New York for a few years in the late '30s and spent 1946-1952 leading the International Band in Montreal. He recorded obscure sides as a leader for Franwill (1954-1955), Stereo-O-Craft (1958), and Pickwick (1963); an excellent album for Spivey (1966) finds the trumpeter to have been influenced by
bop and playing in a surprisingly modern style. But
Louis Metcalf will always be best-remembered for his short stint with
Duke Ellington 40 years earlier. ~ Scott Yanow, All Music Guide