Ethel Waters had a long and varied career, and was one of the first true
jazz singers to record. Defying racism with her talent and bravery,
Waters became a stage and movie star in the 1930s and '40s without leaving the U.S. She grew up near Philadelphia and, unlike many of her contemporaries, developed a clear and easily understandable diction. Originally classified as a
blues singer (and she could sing the
blues almost on the level of a
Bessie Smith),
Waters'
jazz-oriented recordings of 1921-1928 swung before that term was even coined. A star early on at theaters and nightclubs,
Waters introduced such songs as "Dinah," "Am I Blue" (in a 1929 movie), and "Stormy Weather." She made a smooth transition from
jazz singer of the 1920s to a
pop music star of the '30s, and she was a strong influence on many vocalists including
Mildred Bailey,
Lee Wiley, and
Connee Boswell.
Waters spent the latter half of the 1930s touring with a group headed by her husband-trumpeter
Eddie Mallory, and appeared on Broadway (
Mamba's Daughter in 1939) and in the 1943 film Cabin in the Sky; in the latter she introduced "Taking a Chance on Love," "Good for Nothing Joe," and the title cut. In later years
Waters was seen in nonmusical dramatic roles, and after 1960 she mostly confined her performances to religious work for the evangelist Billy Graham. The European Classics label has reissued all of
Ethel Waters' prime recordings and they still sound fresh and lively today. ~ Scott Yanow, All Music Guide
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Love Is the Thing
American Legend