Joe Newman, one of the very few musicians (other than
Freddie Green) to play for long periods with
Count Basie's orchestras of both the 1940s and '50s, had an unclassifiable trumpet style. Influenced early on by
Louis Armstrong and more prominently by
Harry "Sweets" Edison,
Newman was a mainstream player who was versatile enough to hold his own with
Count Basie's younger (and generally boppish) sidemen. Born to a musical family in New Orleans,
Newman not only played with the college band at Alabama State College, but took over its leadership. He gained important early experience playing with
Lionel Hampton's big band (1941-43) before joining
Basie (1943-47). He was a featured sideman with
Illinois Jacquet's popular group and also worked with
J.C. Heard.
Newman's second period with
Basie (1952-61) gave him his greatest fame, as he shared solo space with
Thad Jones. The trumpeter also recorded extensively during this era a leader for Vanguard, Storyville, Jazztone, Savoy, Coral, Roulette, Swingville and Mercury; his four near-classic RCA sessions have been reissued as a two-CD set. After leaving
Basie,
Newman toured the Soviet Union with
Benny Goodman (1962), freelanced around New York, and became involved with Jazz Interactions (a nonprofit organization that educated youth about jazz), serving as its president starting in 1967. In later years,
Joe Newman fared well at the 1972 Newport in New York jam sessions, guested with the New York Jazz Repertory Company, toured with
Benny Carter, and led sessions for Black & Blue and Concord. He also founded Jazz Interactions, a New York-based organization that educated children about jazz and promoted concerts. ~ Scott Yanow, All Music Guide