One of
fusion's most virtuosic guitar soloists,
John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. Whether shredding on electric, or simmering quietly on acoustic,
McLaughlin's intensity and under-appreciated versatility nearly always kept his playing vital, and his best moments -- whether as a solo artist or bandmember -- represent some of
fusion's greatest recordings.
McLaughlin was born January 4, 1942, in Yorkshire, England, and began playing guitar at age 11. Initially attracted to
blues and
swing, he worked with British artists like
Georgie Fame,
Graham Bond,
Brian Auger, and
Ginger Baker.
McLaughlin formed his own band in 1968, and recorded the excellent debut Extrapolation in early 1969. Later that year, he moved to New York to join
Tony Williams' groundbreaking
fusion band
Lifetime, and appeared on the classic Emergency! Through
Williams,
McLaughlin was invited to join
Miles Davis' band, and became an important part of
fusion landmarks like In a Silent Way, Bitches Brew, and A Tribute to Jack Johnson. In 1970, wanting to explore acoustic and Eastern music,
McLaughlin recorded the classic My Goal's Beyond; he soon left
Davis, and after one further solo album, Devotion,
McLaughlin spent some time woodshedding. He re-emerged in 1971 as leader of
the Mahavishnu Orchestra, a seminal band that did much to define and popularize early jazz-rock fusion. Pausing to record Love, Devotion and Surrender with
Carlos Santana in 1972,
McLaughlin led
Mahavishnu until 1975. Returning to spiritual preoccupations on My Goal's Beyond, he then formed
Shakti, which fused acoustic jazz with Indian music over the course of three albums.
McLaughlin returned to his solo career in the late '70s, forming a backing outfit called
the One Truth Band, and also recording the guitar-trio albums Friday Night in San Francisco and Passion, Grace and Fire with fellow
fusion burners
Al DiMeola and
Paco DeLucia. As the '80s went along,
McLaughlin experimented with
classical/
jazz-hybrid composing; there was also a short-lived
Mahavishnu reunion in the mid-'80s.
McLaughlin has continued to record steadily in both electric and acoustic settings. ~ Steve Huey, All Music Guide