A talented
stride pianist,
Claude Hopkins never became as famous as he deserved. He was a bandleader early on, and toured Europe in the mid-'20s as the musical director for
Josephine Baker.
Hopkins returned to the U.S. in 1926, led his own groups, and in 1930 took over Charlie Skeete's band. Between 1932-1935, he recorded steadily with his
big band (all of the music has been reissued on three Classics CDs), which featured
Jimmy Mundy arrangements and such fine soloists as trumpeter/vocalist
Ovie Alston, trombonist
Fernando Arbello, a young
Edmond Hall on clarinet, and baritone and tenorman
Bobby Sands, along with the popular high-note vocals of
Orlando Roberson. The orchestra's recordings are a bit erratic, with more than their share of mistakes from the ensembles and a difficulty in integrating
Hopkins' powerhouse piano with the full group, but they are generally quite enjoyable.
Mundy's eccentric "Mush Mouth" is a classic, and
Hopkins introduced his best-known original, "I Would Do Anything for You." Although they played regularly at
Roseland (1931-1935) and the
Cotton Club (1935-1936), and there were further sessions in 1937 and 1940, the
Claude Hopkins big band never really caught on and ended up breaking up at the height of the
swing era.
Hopkins did lead a later, unrecorded
big band (1944-1947), but mostly worked with small groups for the remainder of his career. He played with
Red Allen's group during the second half of the 1950s, led his own band during 1960-1966, and in 1968 was in the Jazz Giants with
Wild Bill Davison.
Claude Hopkins led an obscure record for 20th Century Fox (1958) and three Swingville albums (1960-1963), but his best later work were solo
stride dates for Chiaroscuro and Sackville (both in 1972), and a trio session for Black & Blue in 1974; it is surprising that his piano skills were not more extensively documented. ~ Scott Yanow, All Music Guide