Search - Artist/Band: Johnny Hodges

Artist Info

  • Name: Johnny Hodges
  • Birthday: 07/25/1907
  • Birth Place: Cambridge, MA
  • Died: 05/11/1970
  • Decades Active: 1920,1930,1940,1950,1960,1970
  • Genre: Jazz
  • Styles: Swing, Mainstream Jazz, Jazz Instrument, Saxophone Jazz, Early R&B
  • Moods: Elegant, Intimate, Organic, Amiable/Good-Natured, Sensual, Stylish, Confident, Refined/Mannered

Albums

Green links represent an available CD.
Red links represent a CD that is not currently available.
Title Release
  • Buenos Aires Blues
  • 06/02/2009
  • Johnny Hodges [BD Jazz]
  • 05/11/2007
  • Con-Soul and Jazz/Wild Bill Is the Boss
  • 05/07/2007
  • Masters of Jazz
  • 10/03/2006
  • 1952-1954 WA
  • 06/20/2006
  • 1951-1952
  • 10/18/2005
  • A Gentle Breeze
  • 07/12/2005
  • Vol. 2: With and Without Duke Ellington 1943/1952
  • 05/10/2005
  • Johnny's Blues
  • 02/28/2005
  • Johnny Hodges & Friends WA
  • 01/10/2005
  • Complete 1937-1940 Small Group Sessions V. 1
  • 11/19/2004
  • Johnny Hodges, Vol. 2: 1939-1940
  • 11/19/2004
  • The Complete 1941-1954 Small Group Sessions, Vol. 2: 1950
  • 11/19/2004
  • Vol. 1: 1945-1950
  • 11/19/2004
  • The Complete 1941-1954 Small Group Sessions, Vol. 3: 1951-1952
  • 11/16/2004
  • Vol. 4: 1952-1953
  • 11/16/2004
  • Vol. 5: 1954
  • 11/16/2004
  • Jam Session, Vol. 2: Let's Split
  • 07/06/2004
  • A Flower Is a Lovesome Thing WA
  • 2003
  • Castle Rock [Proper] WA
  • 2003
  • Day Dream
  • 2003
  • Hodge Podge [Proper]
  • 2003
  • Hop, Skip and Jump
  • 12/04/2002
  • Collates, Vol. 1
  • 12/02/2002
  • Collates, Vol. 2
  • 12/02/2002
  • Rabbit's Blues
  • 11/27/2002
  • 1950-1951
  • 10/02/2002
  • 1945-1950 WA
  • 02/05/2002
  • Alto Sax Story: 1937-1950
  • 06/05/2001
  • Hodge Podge: The Best of the Duke's Men, Vol. 1
  • 07/18/2000
  • Who Struck John?: The Best of the Duke's Men, Vol. 2
  • 07/18/2000
  • Johnny Hodges and his Strings Play the Prettiest Gershwin WA
  • 08/25/1998
  • Planet Jazz
  • 08/25/1998
  • Story 1929/1946
  • 01/13/1998
  • On the Way Up 1965-1967
  • 1997
  • His Best Recordings
  • 11/19/1996
  • Jeep's Blues
  • 01/23/1996
  • Passion Flower 1940-46 WA
  • 06/13/1995
  • Classic Solos (1928-1942)
  • 11/23/1994
  • Passion Flower
  • 1994
  • Verve Jazz Masters 35 WA
  • 1994
  • Caravan: With the Duke Ellington All-Stars and the Billy Strayhorn All-Stars
  • 09/25/1992
  • Jazz Tribute No. 1, Vol. 1-2: 1965-1966 WA
  • 1979
  • Three Shades of Blue
  • 1970
  • Triple Play
  • 1967
  • Stride Right
  • 01/14/1966
  • Johnny Hodges with Lawrence Welk's Orchestra WA
  • 1966
  • Mess of Blues
  • 1966
  • Everybody Knows WA
  • 1965
  • Joe's Blues
  • 1965
  • Johnny Hodges with Billy Strayhorn and the Orchestra
  • 06/1962
  • Blue Hodges
  • 01/1962
  • Masters of Jazz, Vol. 9 WA
  • 1961
  • Blues a Plenty
  • 04/05/1958
  • Duke's in Bed WA
  • 09/01/1956
  • Castle Rock
  • 1955
  • Hodge Podge [Epic]
  • 1955
  • Used to Be Duke WA
  • 1954
  • Compact Jazz: Johnny Hodges & Wild Bill Davis
  • Rarities & Private Recordings
  • The Complete Johnny Hodges and His Orchestra (1937-1938)
  • The Fabulous Ellingtonians
  • Individual Bio

    Possessor of the most beautiful tone ever heard in jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades. Although he could stomp with the best swing players and was masterful on the blues, Hodges' luscious playing on ballads has never been topped. He played drums and piano early on before switching to soprano sax when he was 14. Hodges was taught and inspired by Sidney Bechet, although he soon used alto as his main ax; he would regretfully drop soprano altogether after 1940. His early experiences included playing with Lloyd Scott, Chick Webb, Luckey Roberts, and Willie "The Lion" Smith (1924), and he also had the opportunity to work with Bechet. However, Johnny Hodges' real career began in 1928 when he joined Duke Ellington's orchestra. He quickly became one of the most important solo stars in the band and a real pacesetter on alto; Benny Carter was his only close competition in the 1930s. Hodges was featured on a countless number of performances with Ellington and also had many chances to lead recording dates with Ellington's sidemen. Whether it was "Things Ain't What They Used to Be," "Come Sunday," or "Passion Flower," Hodges was an indispensable member of Ellington's orchestra in the 1930s and '40s. It was therefore a shock, in 1951, when he decided to leave Duke Ellington and lead a band of his own. Hodges had a quick hit in "Castle Rock" (which ironically showcased Al Sears' tenor and had no real contribution by the altoist), but his combo ended up struggling and breaking up in 1955. Hodges' return to Duke Ellington was a joyous occasion and he never really left again. In the 1960s, Hodges teamed up with organist Wild Bill Davis on some sessions, leading to Davis joining Ellington for a time in 1969. Johnny Hodges, whose unchanging style always managed to sound fresh, was still with Duke Ellington when he suddenly died in 1970. ~ Scott Yanow, All Music Guide