Search - Artist/Band: Clark Terry

Artist Info

  • Name: Clark Terry
  • Birthday: 12/14/1920
  • Birth Place: St. Louis, MO
  • Decades Active: 1950,1960,1970,1980,1990,2000
  • Genre: Jazz
  • Styles: Bop, Mainstream Jazz, Swing, Big Band, Hard Bop, Jazz Instrument, Post-Bop, Trumpet Jazz
  • Moods: Amiable/Good-Natured, Boisterous, Confident, Earthy, Elegant, Energetic, Exuberant, Passionate, Playful, Refined/Mannered, Sophisticated, Stylish, Carefree, Cheerful, Dramatic, Earnest, Freewheeling, Giddy, Happy, Humorous, Irreverent, Literate, Lively, Nostalgic, Quirky, Rousing, Searching, Sentimental, Stately, Warm, Whimsical, Witty, Wry

Albums

Green links represent an available CD.
Red links represent a CD that is not currently available.
Title Release
  • More/Tread Ye Lightly W
  • 2008
  • The Chicago Sessions W
  • 07/10/2007
  • Masters of Jazz W
  • 07/11/2006
  • Storyville Clark Terry W
  • 07/11/2006
  • Chilled & Remixed [2006] W
  • 06/27/2006
  • Supreme Jazz W
  • 03/27/2006
  • Complete Studio Recordings [Clark Terry/Bob Brookmeyer Quintet] W
  • 09/27/2005
  • Free and Oozy W
  • 11/16/2004
  • Chilled & Remixed [2004] W
  • 09/28/2004
  • Porgy & Bess
  • 09/14/2004
  • George Gershwin's Porgy & Bess
  • 08/31/2004
  • Flutin' and Fluglin W
  • 12/04/2002
  • Clark Terry and His Orchestra Featuring Paul Gonsalves W
  • 01/08/2002
  • Friendship W
  • 2002
  • A Jazz Symphony W
  • 08/12/2000
  • One on One W
  • 05/23/2000
  • Les Incontournables W
  • 03/28/2000
  • Jazz Ambassador W
  • 04/27/1999
  • Daylight Express W
  • 04/07/1998
  • Intimate Stories W
  • 03/03/1998
  • Ritter der Ronneburg, 1998 W
  • 1998
  • Express W
  • 1996
  • Reunion W
  • 11/21/1995
  • Shades of Blues W
  • 05/13/1994
  • Metropole Orchestra W
  • 1994
  • Remember the Time W
  • 1994
  • What a Wonderful World: For Lou W
  • 02/01/1993
  • Having Fun W
  • 1990
  • Jive at Five W
  • 1990
  • Locksmith Blues WA
  • 06/1989
  • The Clark Terry Spacemen WA
  • 02/13/1989
  • To Duke and Basie WA
  • 01/28/1986
  • Yes, the Blues WA
  • 01/19/1981
  • Memories of Duke WA
  • 03/11/1980
  • Funk Dumplin's WA
  • 08/21/1978
  • Out of Nowhere WA
  • 07/20/1978
  • Clark After Dark WA
  • 1978
  • The Globetrotter WA
  • 1977
  • Clark Terry and His Jolly Giants WA
  • 1975
  • Spanish Rice WA
  • 02/1967
  • Gingerbread Men WA
  • 1966
  • Mumbles WA
  • 1966
  • The Happy Horns of Clark Terry WA
  • 03/13/1964
  • The Power of Positive Swinging WA
  • 03/1964
  • More WA
  • 06/17/1963
  • What Makes Sammy Swing WA
  • 1963
  • Mellow Moods WA
  • 1962
  • Color Changes WA
  • 11/19/1960
  • Top and Bottom Brass [Riverside] WA
  • 1959
  • Out on a Limb with Clark Terry
  • 09/1958
  • In Orbit WA
  • 05/1958
  • Serenade to a Bus Seat WA
  • 04/1957
  • Duke with a Difference WA
  • 1957
  • Swahili WA
  • 1955
  • Clark Terry [Polygram] WA
  • 1954
  • Gingerbread WA
  • Individual Bio

    Possessor of the happiest sound in jazz, flügelhornist Clark Terry always plays music that is exuberant, swinging, and fun. A brilliant (and very distinctive) soloist, C.T. gained fame for his "Mumbles" vocals (which started as a satire of the less intelligible ancient blues singers) and is also an enthusiastic educator. He gained early experience playing trumpet in the viable St. Louis jazz scene of the early '40s (where he was an inspiration for Miles Davis) and, after performing in a Navy band during World War II, he gained a strong reputation playing with the big band of Charlie Barnet (1947-1948), the orchestra and small groups of Count Basie (1948-1951), and particularly with Duke Ellington (1951-1959). Terry, a versatile swing/bop soloist who started specializing on flügelhorn in the mid-'50s, had many features with Ellington (including "Perdido") and started leading his own record dates during that era. He visited Europe with Harold Arlen's unsuccessful The Free & Easy show of 1959-1960 as part of Quincy Jones' Orchestra, and then joined the staff of NBC where he was a regular member of the Tonight Show Orchestra. He recorded regularly in the 1960s including a classic set with the Oscar Peterson Trio and several dates with the quintet he co-led with valve trombonist Bob Brookmeyer. Throughout the 1970s, '80s, and '90s, C.T. remained a major force, recording and performing in a wide variety of settings including at the head of his short-lived big band in the mid-'70s, with all-star groups for Pablo, and as a guest artist who can be expected to provide happiness in every note he plays. ~ Scott Yanow, All Music Guide