Born and raised in Seattle,
O'Connor was always a bit out of sync with his teenage peers. Understandably so, since he was winning fiddle contests and had mapped out a sketchy career path.
O'Connor moved to Nashville in 1983, already a former sideman for
jazz violinist
Stephane Grappelli, a job that allowed him to play the stage at
Carnegie Hall. At the time
O'Connor arrived in Music City (the post-Urban Cowboy era), fiddle was hardly in vogue, and it took a couple of years for him to make his mark. Finally, in 1985
the Nitty Gritty Dirt Band used him in their single "High Horse"; thanks to that work,
O'Connor's phone number became a popular one with
country record producers. Over the next five years he played on 450 albums, including such stellar projects as Trio by
Dolly Parton,
Linda Ronstadt, and
Emmylou Harris; Always & Forever by
Randy Travis; Killin' Time by
Clint Black; and Loving Proof by
Ricky Van Shelton. Despite his success,
O'Connor gave up session work to concentrate on his own solo career, increasingly rooted in the
classical realm thanks to collaborators including
Yo-Yo Ma,
Wynton Marsalis, and
Edgar Meyer. ~ Tom Roland, All Music Guide