Joan Baez - From Every Stage

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Album Details

Title: From Every Stage
Artist: Joan Baez
Release Date: 1/1976
Re-Released On: 10/1/1999
Label: Polygram, A&M
Duration: 80:38
Album Type(s): live
UPCs: 075021650626, 0082839650625, 075021650640, 082839650625
Genre: Folk
Styles: Singer/Songwriter, Psychedelic, Folk-Rock, Contemporary Folk
Moods: Autumnal, Gentle, Reflective, Delicate, Intimate, Laid-Back/Mellow, Literate, Plaintive, Poignant, Bittersweet, Calm/Peaceful, Earnest, Elegant, Organic, Sophisticated, Sweet, Wistful, Boisterous, Cerebral, Complex, Elaborate, Rousing, Spiritual
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 2

Track Listings Disc 1

  1. (Ain't Gonna Let Nobody) Turn Me Around
  2. Blessed Are
  3. Suzanne
  4. Love Song to a Stranger
  5. I Shall Be Released
  6. Blowin' in the Wind
  7. Stewball
  8. Natalia
  9. Ballad of Sacco & Vanzetti
  10. Joe Hill

Track Listings Disc 2

  1. Love Is a Four-Letter Word
  2. Forever Young
  3. Diamonds & Rust
  4. Boulder to Birmingham
  5. Swing Low, Swing Chariot
  6. Oh, Happy Day
  7. Please Come to Boston
  8. Lily, Rosemary and the Jack of Hearts
  9. The Night They Drove Old Dixie Down
  10. Amazing Grace

Additional Releases

YearTypeLabelCatalog #
1999CDPolygram3965062
------CDA&M6506

Other Editions

  • No other editions were found for this album.

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Album Review

Listening to this album a quarter century after the fact is an eerie experience; as a Baez fan of the same period and of a politically similar orientation at the time, this reviewer was shocked by the vitriol of the opening number, "(Ain't Gonna Let Nobody) Turn Me Around," especially given that the shows where this album was recorded dated from 1975. Was anyone (except maybe the Reagan-ites) ever really that angry at the Ford administration? Otherwise, Baez's trembling falsetto is in beautiful shape on songs ranging from Leonard Cohen's "Suzanne" to "Oh, Happy Day." The album was recorded on the tour supporting the release of Diamonds & Rust, but nothing of that album except the title track is represented here; rather, Baez performs five Bob Dylan songs (which get the most rousing reception), three of her better originals, including "Blessed Are" and "Diamonds and Rust," and a brace of traditional songs and covers of a handful of other composers' work, including "The Night They Drove Old Dixie Down." Apart from the opening outpouring of political venom, there's not too much controversy here -- a pair of songs, "Natalia" and "The Ballad of Sacco and Vanzett," dedicated to political prisoners and an ambitious but ultimately awkward adaptation of "Stewball" are as topical as most of the show gets. Baez is in superb voice and the backing septet, mostly heard on the second disc, has a surprisingly lean sound. Ultimately, From Every Stage is a good, albeit far slicker follow-up to Baez's two early-'60s live albums on Vanguard, though it says something about the nature of her history at A&M Records that five years into her contract with that label, all but a handful of the songs here were associated with her prior record label. ~ Bruce Eder, All Music Guide

Credits

NameCredits
Alex KazanegrasEngineer, Remixing
Arthur MacLearAssistant Engineer
Bernard GelbExecutive Producer
Bernie GrundmanMastering
Bill AshbyAssistant Engineer
Bob CatoDesign
Corey BaileyAssistant Engineer
Dale AshbyAssistant Engineer, Engineer
Dan AgostinoAssistant Engineer, Mixing Assistant
Dan FergusonGuitar
David BriggsKeyboards
David KershenbaumProducer
DawsonEngineer
Dinky DawsonLive Mixing
Doug MetzlerPhotography
Galen SenoglesAssistant Engineer
James JamersonBass
Jim AkensAssistant Engineer
Jim GordonDrums
Joan BaezGuitar, Vocals, Arranger
Joe BellamyMixing Assistant, Assistant Engineer
John FioreAssistant Engineer
John FioriAssistant Engineer
Larry CarltonGuitar