Album Details
Title: On Down the Line Artist: Patty Loveless Release Date: 5/15/1990 Re-Released On: 11/20/2001 Label: Universal Special Products Duration: 34:23 UPCs: 076732640128, 076732640111 Genre: Country Styles: Country-Rock, Contemporary Country, Neo-Traditionalist Country Moods: Bright, Earthy, Stylish, Romantic, Amiable/Good-Natured, Bittersweet, Bravado, Earnest, Gentle, Happy, Laid-Back/Mellow, Sentimental, Sweet, Cheerful, Innocent, Intimate, Rollicking, Confident, Organic, Plaintive, Sad Total Copies: 10 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Overtime
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The Night's Too Long
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Blue Memories
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Some Morning Soon
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You Can't Run Away from Your Heart
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On Down the Line
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I've Got to Stop Loving You (And Start Living Again)
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Looking in the Eyes of Love
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I'm That Kind of Girl
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Feelings of Love
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Universal Special Products | 6401 |
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Other Editions
- No other editions were found for this album.
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Album Review
Patty Loveless entered the 1990s with On Down the Line, an excellent album that contained such major hits as "The Night's Too Long," the gutsy "Blue Memories," and the infectiously rockin' "I'm That Kind of Girl." Despite all the talk about Loveless being part of a neo-traditionalist movement in country, this isn't an album for purists -- there's plenty of pop and rock influence here, and a 33-year-old Loveless is undeniably folky on the haunting ballad "Some Morning Soon." Loveless still found herself being compared frequently to Patsy Cline, who was no stranger to pop and rock elements either. Not that Loveless excludes more hardcore country -- "I've Got to Stop Loving You (And Start Living Again)" is a honky tonk gem. Unpredictable and consistently inspired, On Down the Line remains one of Loveless' finest albums. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Albert Lee | Guitar (Electric) | | Ann Payne-Rice | Stylist, Wardrobe | | Chuck Ainlay | Engineer | | Claire Lynch | Vocals (Background) | | Glenn Meadows | CD Master Tape Preparation, Mastering | | Harry Stinson | Vocals (Background) | | Jerry Joyner | Design | | Jessie Noble | Coordination, Project Coordinator | | John Guess | Mixing | | John Jarvis | Keyboards, Piano | | Julian King | Assistant Engineer, Engineer | | Karen Staley | Vocals (Background) | | Kostas | Guitar (Acoustic), Vocals (Background) | | Larrie Londin | Drums | | Leland Sklar | Bass | | Mac McAnally | Guitar (Acoustic), Guitar (Electric) | | Mark J. Coddington | Assistant Engineer, Engineer, Overdub Engineer, Overdubs | | Mark O'Connor | Fiddle, Mandolin | | Mark Tucker | Photography | | Matraca Berg | Vocals (Background) | | Milan Bogdan | Digital Editing | | Patty Loveless | Vocals | | Paul Franklin | Dobro, Guitar (Acoustic), Guitar (Steel), Slide Guitar | | Richard Bennett | Guitar (Electric) | | Ronnie Samoset | Vocals (Background) | | Russell Smith | Vocals (Background) | | Sheri McCoy | Wardrobe, Hair Stylist, Stylist | | Steve Tillisch | Overdubs, Overdub Engineer | | Tim Kish | Engineer, Assistant Engineer | | Tony Brown | Producer, Producer | | Vince Gill | Vocals (Background) |
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