Album Details
Title: The End of the Innocence Artist: Don Henley Release Date: 6/1989 Re-Released On: 1/18/2005 Label: Geffen, Digital Sound, Universal Distribution Duration: 53:11 Album Type(s): lyrics/libretto UPCs: 015775472129, 4988005376367, 720642421727, 008811928520, 075992421713, 498800537636 Genre: Rock Styles: Adult Contemporary, Soft Rock, Contemporary Pop/Rock, Contemporary Singer/Songwriter, Album Rock Moods: Earnest, Sophisticated, Stylish, Theatrical, Autumnal, Bitter, Laid-Back/Mellow, Literate, Plaintive, Refined/Mannered, Reflective, Wistful, Amiable/Good-Natured, Bittersweet, Detached, Organic, Poignant Total Copies: 119 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The End of the Innocence [Surround]
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How Bad Do You Want It?
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I Will Not Go Quietly
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The Last Worthless Evening
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New York Minute
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Shangri-La
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Little Tin God
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Gimme What You Got
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If Dirt Were Dollars
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The Heart of the Matter
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Universal Distribution | 9474 | | 2000 | CD | Digital Sound | 1062 | | 1995 | CD | Geffen | 19285 | | 1989 | CD | Geffen | 2-24217 |
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Other Editions
- No other editions were found for this album.
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Album Review
Don Henley took some time before completing his highly anticipated third album, The End of the Innocence. Although he manages to duplicate much of the magic of his previous album, Henley has backed off of the synthesizers and expanded his musical palette. He uses background vocals to great effect, whether it's the tragic ballad "New York Minute" (with vocal group Take 6) or the angry rocker "I Will Not Go Quietly" (with Axl Rose of Guns N' Roses). His collaboration with Bruce Hornsby on the opening title track show a mature Henley singing about disillusionment over a beautiful piano riff that gives the song a timeless air of nostalgia. While he still tackles political issues and writes about small-town life in America, Henley also mixes in romantic ballads, including the closer "Heart of the Matter." In this epic song, Henley explores the emotional complexity of relationships and coming to terms with oneself during the aftermath. Throughout the album, he manages to balance being cynical yet hopeful, and his great melodies allow his poignant lyrics to penetrate. This album is highly recommended for those who like their pop music with a message. ~ Vik Iyengar, All Music Guide
Credits
| Name | Credits | | Alberto Tolot | Photography | | Axl Rose | Vocal Harmony, Vocals (Background) | | Bob Glaub | Bass | | Bob Ludwig | Digital Mastering | | Bob Vogt | Engineer | | Brian Scheuble | Engineer, Assistant Engineer | | Bruce Hornsby | Piano, Producer, Keyboards | | Carmen Twillie | Vocal Harmony, Vocals (Background) | | Charley Drayton | Vocals (Background) | | Charlie Drayton | Vocals (Background), Vocal Harmony | | Danny Kortchmar | Guitar, Basic Track, Programming, Producer, Keyboards | | David Ashton | Assistant Engineer | | David Delgrosso | Creative Director | | David Paich | Keyboards, Piano, Strings | | Don Henley | Drums, Vocals (Background), Vocal Harmony, Producer, Vocals | | Ed Goodreau | Assistant Engineer, Assistant | | Eddie King | Engineer | | Edie Brickell | Vocal Harmony, Vocals (Background) | | Fred Bova | A&R | | Gary Myerberg | A&R | | Greg Goldman | Assistant, Assistant Engineer | | Greg Ladanyi | Producer, Engineer | | Ivan Neville | Vocals (Background), Vocal Harmony | | J.D. Souther | Vocals (Background) | | Jai Winding | Keyboard Bass, Keyboards | | Jeff Levison | Digital Transfers | | Jeff Porcaro | Drums | | Jeri Heiden | Art Direction | | Jim Keltner | Drums, Percussion | | John Corey | Guitar, Producer, Keyboards, Basic Track, Engineer | | Julia Tillman Waters | Vocals (Background) | | Julia Waters | Vocal Harmony, Vocals (Background) | | Ken Nahoum | Cover Photo, Photography | | Larry Klein | Bass | | Marc DeSisto | Engineer | | Mark McKenna | Engineer | | Marlene Bergman | Layout Design | | Maxine Willard Waters | Vocals (Background), Vocal Harmony | | Melissa Etheridge | Vocal Harmony, Vocals (Background) | | Michael Fisher | Percussion | | Mike Campbell | Keyboards, Guitar, Producer | | Mike Morongell | A&R | | Patty Smyth | Vocal Harmony, Vocals (Background) | | Pino Palladino | Bass | | Randy Staub | Assistant, Assistant Engineer | | Randy Wine | Assistant Engineer, Assistant | | Ric Wilson | Digital Editing | | Richard Wachtel | Guitar | | Rob Jacobs | Mixing, Engineer | | Rob Jaczko | Mixing | | Sabrina Heraux | Production Coordination | | Shelly Yakus | Engineer, Mixing | | Sheryl Crow | Vocals (Background) | | Stan Lynch | Producer, Drums, Percussion, Basic Track, Engineer | | Stanley Jordan | Vocals (Background), Vocal Harmony, Guitar, Drums | | Stephen Barncard | A&R | | Stephen Danelian | Photography | | Stephen Marcussen | Mastering | | Steve Jordan | Vocal Harmony, Wah Wah Guitar, Guitar (Electric), Vocals (Background), Drums | | Steve Madaio | Trumpet | | Take 6 | Vocal Harmony, Vocals (Background) | | Tom Banghart | Assistant Engineer, Assistant | | Valerie Carter | Vocals (Background), Vocal Harmony | | W. Axl Roase | Vocal Harmony | | Waddy Wachtel | Guitar (Acoustic) | | Wayne Shorter | Sax (Soprano) |
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