Album Details
Title: Electric Ladyland Artist: The Jimi Hendrix Experience Release Date: 10/1968 Re-Released On: 6/30/2009 Label: MCA Records, Polydor, Universal Distribution, Universal Island Records Ltd. Duration: 75:47 Album Type(s): lyrics/libretto UPCs: 008811160029, 075992744324, 4988005502025, 0008811160029, 008811089528, 008811089542, 042284723329, 0600753013823, 075992744317, 075992744348, 4988005560469, 600753013823, 060075301382 Genre: Rock Styles: Blues-Rock, Hard Rock, Psychedelic, Acid Rock, Album Rock Moods: Bravado, Cathartic, Confident, Crunchy, Energetic, Fiery, Freewheeling, Passionate, Searching, Trippy, Brash, Hedonistic, Intense, Manic, Provocative, Rebellious, Swaggering, Visceral, Aggressive, Angst-Ridden, Brooding, Carefree, Confrontational, Earthy, Enigmatic, Indulgent, Outrageous, Plaintive, Raucous, Reflective, Rollicking, Volatile, Wistful, Yearning, Amiable/Good-Natured, Autumnal, Bitter, Bittersweet, Earnest, Exuberant, Melancholy, Ominous, Playful, Poignant, Rambunctious, Sexual, Somber, Street-Smart, Boisterous, Party/Celebratory, Reckless, Rousing, Rowdy, Urgent, Ambitious, Bleak, Cerebral, Cheerful, Dreamy, Eerie, Elaborate, Exciting, Fun, Gritty, Intimate, Laid-Back/Mellow, Literate, Organic, Sexy, Sophisticated, Druggy Total Copies: 0 Members Wishing: 8 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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...And the Gods Made Love
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Have You Ever Been (To Electric Ladyland)
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Crosstown Traffic
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Voodoo Chile
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Little Miss Strange
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Long Hot Summer Night
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Come On (Let the Good Times Roll)
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Gypsy Eyes
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Burning of the Midnight Lamp
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Rainy Day, Dream Away
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1983... (A Merman I Should Turn to Be)
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Moon, Turn the Tides...Gently Gently Away
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Still Raining, Still Dreaming
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House Burning Down
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All Along the Watchtower
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Voodoo Child (Slight Return)
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Universal Distribution | 91387 | | 2007 | CD | Universal Distribution | 5301382 | | 2007 | CD | Universal Island Records Ltd. | 5301382 | | 1997 | CD | MCA Records | 11600 | | 1997 | CD | MCA Records | 11600 | | 1993 | CD | MCA Records | MCAD 10895 | | 1991 | CD | Polydor | 8472332 |
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Album Review
Jimi Hendrix's third and final album with the original Experience found him taking his funk and psychedelic sounds to the absolute limit. The result was not only one of the best rock albums of the era, but also Hendrix's original musical vision at its absolute apex. When revisionist rock critics refer to him as the maker of a generation's mightiest dope music, this is the album they're referring to. But Electric Ladyland is so much more than just background music for chemical intake. Kudos to engineer Eddie Kramer (who supervised the remastering of the original two-track stereo masters for this 1997 reissue on MCA) for taking Hendrix's visions of a soundscape behind his music and giving it all context, experimenting with odd mic techniques, echo, backward tape, flanging, and chorusing, all new techniques at the time, at least the way they're used here. What Hendrix sonically achieved on this record expanded the concept of what could be gotten out of a modern recording studio in much the same manner as Phil Spector had done a decade before with his Wall of Sound. As an album this influential (and as far as influencing a generation of players and beyond, this was his ultimate statement for many), the highlights speak for themselves: "Crosstown Traffic," his reinterpretation of Bob Dylan's "All Along the Watchtower," "Burning of the Midnight Lamp," the spacy "1983...(A Merman I Should Turn to Be)," and "Voodoo Chile (Slight Return)," a landmark in Hendrix's playing. With this double set (now on one compact disc), Hendrix once again pushed the concept album to new horizons. ~ Cub Koda, All Music Guide
Credits
| Name | Credits | | Al Kooper | Piano, Keyboards | | Axel Rad | Photography | | Buddy Miles | Drums | | Chris Wood | Flute | | Dave Mason | Vocals (Background), Guitar, Guitar (Acoustic) | | David King | Design | | David Montgomery | Photography, Photography | | David Sygall | Photography | | Derek Taylor | Essay, Liner Notes | | Ed Thrasher | Photography, Art Direction | | Eddie Kramer | Engineer, Remastering | | Fred Smith | Sax (Tenor), Saxophone, Horn | | Gary Kelgren | Engineer | | Gary Kellgram | Engineer | | Gary Kellgren | Engineer | | George Marino | Remastering | | Gered Mankowitz | Photography | | Glen Kolotkin | Engineer | | Jack Casady | Bass | | Janie Hendrix | Remastering Supervisor | | Jeanette Jacobs | Vocals | | Jeff Leve | ?, Writer | | Jimi Hendrix | Producer, Director, Liner Notes, Vocals, Guitar, Arranger, Piano, Bass, Harpsichord, Mixing | | Joe Gastwirt | Remastering | | John Adler | Photography | | John McDermott | ?, Remastering Supervisor | | Karl Ferris | Back Cover, Cover Design, Photography | | Larry Faucette | Conga, Conductor | | Linda McCartney | Back Cover, Photography | | Michael Diehl | Reissue Design | | Michael Fairchild | Liner Notes | | Mike Finnigan | Bass, Organ | | Mike Mandel | Piano | | Mitch Mitchell | Drums | | Noel Redding | Bass, Guitar (Bass), Vocals, Guitar (Rhythm) | | Richard Montgomery | Photography, Back Cover | | Rob O'Connor | Design | | Steve Winwood | Organ | | The Jimi Hendrix Experience | Performer | | The Sweet Inspirations | Vocals (Background) | | Vartan | Reissue Art Director, Art Direction |
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