Album Details
Title: Keys to the Highway Artist: Rodney Crowell Release Date: 1989 Label: Columbia, Sony Music Distribution, Custom Marketing Group Duration: 43:12 UPCs: 074644524222, 074646149126, 886971866223, 074644524246 Genre: Country Styles: Country-Rock, Contemporary Country, New Traditionalist Moods: Earthy, Refined/Mannered, Reflective, Rollicking, Romantic, Sentimental, Bittersweet, Earnest, Light, Literate, Passionate, Poignant Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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My Past Is Present
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If Looks Could Kill
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Soul Searchin'
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Many a Long and Lonesome Highway
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We Gotta Go on Meeting Like This
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The Faith Is Mine
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Tell Me the Truth
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Don't Let Your Feet Slow You Down
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Now That's We're Alone
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Things I Wish I'd Said
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I Guess We've Been Together for Too Long
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You Been on My Mind
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Custom Marketing Group | | | 2000 | CD | Sony Music Distribution | 61491 | | 1989 | CD | Columbia | CK-45242 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
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Album Review
The success of Rodney Crowell's Diamonds & Dirt was a surprise, if only because Crowell had been making records for ten years with only modest sales. It was more country-oriented and less challenging than his previous recordings, but the album threw off a record-setting five number one country hits while remaining in the charts more than two years. Keys to the Highway, therefore, should have consolidated Crowell's status as a major country star; instead, it was a commercial disappointment from which he did not recover. Though Crowell had bowed to a traditional approach somewhat on Diamonds & Dirt, he remained essentially a stylist as interested in folk, rock, and R&B as he was in country. At the same time, emboldened by his success, Crowell apparently wanted to try to recover some of his critical standing, and he also seems to have been influenced by the death of his father to be true to himself. Momentum pushed the leadoff single, the slow, thoughtful folk-rock ballad "Many a Long and Lonesome Highway," into the country Top Five, but it was not what fans of Diamonds & Dirt were expecting, and despite the neo-Nashville sound of second single "If Looks Could Kill," which reached the country Top Ten, Keys to the Highway failed to make the country Top Ten or go gold. It's a much better album than that history suggests, however, carefully balanced between exercises in early rock & roll and rockabilly, country-soul, mainstream '60s-style rock, and even dyed-in-the-wool country. Keys to the Highway didn't have the songwriting depth of Crowell's early albums, but it was more substantial and more varied than Diamonds & Dirt, and if handled well, it might have been even more successful. Instead, it remains an album yet to be really discovered. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Ashley Cleveland | Vocals | | Barry Beckett | Piano, Organ | | Bill Johnson | Art Direction | | Donivan Cowart | Overdubs, Engineer | | Eddie Bayers | Drums | | Glen D. Hardin | Orchestral Arrangements, Conductor, Arranger | | Glenn Meadows | Mastering | | Hank DeVito | Guitar (Acoustic), Guitar (Steel) | | Harry Stinson | Vocals | | Jeff Giedt | Assistant Engineer | | Jim Hanson | Vocals, Bass | | John Guess | Mixing | | Mark O'Connor | Mandolin, Fiddle | | Marty Williams | Assistant Engineer | | Michael Rhodes | Bass | | Paul Franklin | Guitar (Steel) | | Randee Saint Nicholas | Photography | | Randee St. Nicholas | Cover Photo | | Randy Kling | Mastering | | Randy LeRoy | Assistant | | Renée Bell | Assistant | | Rodney Crowell | Arranger, Producer, Guitar (Acoustic) | | Rosanne Cash | Vocals | | Russ Martin | Assistant Engineer | | Steuart Smith | Guitar (Acoustic), Arranger, Guitar | | Steve Marcantonio | Mixing, Engineer | | Tony Brown | Producer, Producer | | Vince Gill | Vocals | | Vince Santoro | Drums |
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