Album Details
Title: Abandoned Luncheonette Artist: Hall & Oates Release Date: 1973 Re-Released On: 5/5/1987 Label: Atlantic Duration: 37:01 UPCs: 075678153723, 081227992897, 075678153747 Genre: Rock Styles: Singer/Songwriter, Psychedelic, Soft Rock, Folk-Rock, Contemporary Pop/Rock Moods: Calm/Peaceful, Smooth, Stylish, Sweet, Bright, Energetic, Gentle, Organic, Romantic, Rousing, Amiable/Good-Natured, Fun, Lively, Slick, Swaggering, Poignant, Reflective, Sentimental, Cheerful, Detached, Party/Celebratory, Playful, Refined/Mannered, Restrained, Searching, Soothing, Wistful, Autumnal, Earnest, Passionate, Plaintive, Quirky, Reserved, Yearning, Laid-Back/Mellow Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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When the Morning Comes
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Had I Known You Better Then
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Las Vegas Turnaround (The Stewardess Song)
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She's Gone
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I'm Just a Kid (Don't Make Me Feel Like a Man)
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Abandoned Luncheonette
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Lady Rain
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Laughing Boy
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Everytime I Look at You
Additional Releases
| Year | Type | Label | Catalog # | | 1973 | CD | Atlantic | 19139 | | ------ | CD | Atlantic | SD-19139-2 |
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Other Editions
- No other editions were found for this album.
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Album Review
Abandoned Luncheonette, Hall & Oates' second album, was the first indication of the duo's talent for sleek, soul-inflected pop/rock. It featured the single "She's Gone," which would become a big hit in 1975 when it was re-released following the success of "Sara Smile." ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alan Ade | Engineer | | Arif Mardin | Choir, Chorus, Remixing, String Arrangements, Bass (Vocal), Horn Arrangements, Producer | | B. P. Wilson | Photography, Design | | B. Wislon | Design, Photography | | Bernard "Pretty" Purdie | Drums | | Christopher Bond | Mellophonium, Choir, Chorus, Mellotron, Guitar (Acoustic), Synthesizer, Associate Producer, Guitar (Electric), Arranger, Soloist, Production Assistant, Guitar, Keyboards, Remixing | | Daryl Hall | Vocals, Mandolin, Performer, Keyboards, Vibraphone, Arranger, Piano (Electric), Piano, Synthesizer, Guitar, Choir, Chorus | | Donald Wanner | Choir, Chorus | | Gene Paul | Engineer | | Gloria Agostini | Harp | | Gordon Edwards | Bass | | Hugh McCracken | Guitar (Electric), Guitar | | Jerry Ricks | Guitar (Acoustic), Guitar | | Jimmy Douglass | Remixing, Engineer | | Joe Farrell | Saxophone, Sax (Alto), Sax (Tenor), Oboe | | Joel Kerr | Engineer | | John Blair | Violin (Electric), Violin | | John Ellington Blair | Violin (Electric) | | John Oates | Performer, Guitar (Electric), Arranger, Guitar, Synthesizer, Choir, Chorus, Vocals, Guitar (Acoustic), Keyboards, Wah Wah Guitar | | Kathy Mae Hohl | Choir, Chorus | | Larry Packer | Violin, Fiddle | | Lewis Hahn | Remixing, Engineer | | Marc Holowitz | Banjo | | Mark Horowitz | Banjo | | Marvin Stamm | Flugelhorn, Horn | | Pancho Morales | Drums, Conga | | Pat Rebillot | Organ, Keyboards, Percussion | | Ralph MacDonald | Percussion | | Richard Tee | Piano, Keyboards | | Rick Marotta | Drums, Percussion | | Stephen Innocenzi | Mastering | | Steve Gelfand | Guitar, Bass | | Tommy Mottola | Coordination | | Walter F. Hohl | Choir, Chorus |
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