Album Details
Title: Without a Net Artist: Grateful Dead Release Date: 9/1990 Re-Released On: 8/31/2004 Label: Arista, BMG International, Rhino Duration: 131:56 Album Type(s): live UPCs: 078221863421, 081227895228, 4988017096048, 078221863414 Genre: Rock Styles: Album Rock, Jam Bands Moods: Carefree, Druggy, Freewheeling, Knotty, Searching, Spacey, Trippy, Amiable/Good-Natured, Enigmatic, Lazy, Meandering, Messy, Organic, Plaintive, Relaxed, Rollicking, Soothing, Summery, Calm/Peaceful, Complex, Dreamy, Earnest, Gentle, Indulgent, Passionate, Reverent, Rousing, Wistful, Boisterous, Confrontational, Intimate, Laid-Back/Mellow, Reflective, Rustic, Self-Conscious, Ambitious, Atmospheric, Autumnal, Bittersweet, Detached, Earthy, Energetic, Literate, Sentimental, Street-Smart, Sweet, Poignant Total Copies: 1 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Feel Like a Stranger
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Mississippi Half-Step Uptown Toodleloo
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Walkin' Blues
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Althea
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Cassidy
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Bird Song
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Let It Grow
Track Listings Disc 2
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China Cat Sunflower/I Know You Rider
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Looks Like Rain
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Eyes of the World
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Victim or the Crime
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Help on the Way/Slipknot!/Franklin's Tower
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One More Saturday Night
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Dear Mr. Fantasy
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | Rhino | 78952 | | 2000 | CD | BMG International | 37144/5 | | 1990 | CD | Arista | ACD2-8634 |
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Other Editions
- No other editions were found for this album.
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Album Review
This two-CD/three-LP collection was the final live title to have been released by the Grateful Dead during their active performance life. The contents were compiled from a six-month window that included some of the Dead's most uniformly strong shows from the fall of 1989 and the spring of 1990. Without a Net -- the group's first live release in practically a decade -- was also the first to benefit from the additional playing time available on compact disc. More than most other touring bands, the Grateful Dead were able to take full advantage of the technological advancement, as their expanded instrumental jams and sinuously segued suites often lasted in excess of the standard 25 minutes available on a single side of a vinyl album. Without a doubt, this collection is the strongest and most accurate representation of how the concurrent Grateful Dead sounded since the epic Live/Dead album some two decades earlier. One major difference between the two is the lack of new or even recent material on Without a Net. "Victim or the Crime" -- Bob Weir's dark tale of survival -- is the most recent composition, having originally surfaced on the Dead's final studio album, Built to Last (1989). The two covers -- Robert Johnson's "Walkin' Blues" and Traffic's "Dear Mr. Fantasy" -- were the only songs making their debut appearance on a Grateful Dead release. The remaining dozen performances are nuggets mined from the Dead's formidable catalog. There are a few definitive versions of Deadhead favorites, including "Althea," "Bird Song," and "Cassidy," as well as the "Help On the Way"/"Slipknot!"/"Franklin's Tower" medley. In addition to the standard double-disc package, Without a Net was available for a limited time in a "big top edition" that featured picture CDs, an exclusive fold-out poster, and additional circus-themed artwork from longtime Grateful Dead visual collaborator Rick Griffin. ~ Lindsay Planer, All Music Guide
Credits
| Name | Credits | | Amy Finkle | Art Coordinator | | Andrew Warwick | Engineer | | Bill Grillo | Crew | | Bill Kreutzmann | Group Member, Percussion, Drums | | Bill Legate | ? | | Billy Candelario | Crew | | Bob Bralove | Programming | | Bob Weir | Group Member, Vocals, Guitar, Arranger | | Branford Marsalis | Sax (Tenor), Sax (Soprano), Guest Appearance | | Brent Mydland | Keyboards, Organ, Group Member | | Cameron Sears | Coordination | | Carolyn Quan | Design | | Dan Healy | Concert Sound | | David Gallo | Engineer | | David Roberts | Engineer | | Grateful Dead | Arranger | | Harry Popick | Monitor Mix Engineer | | Jeffrey Norman | Engineer | | Jerry Garcia | Guitar, Group Member, Vocals | | Joe Gastwirt | Digital Mastering, Remixing | | John Cutler | Engineer, Producer | | John Werner | Photography | | Justin Kreutzmann | Engineer | | Ken Friedman | Photography | | Mickey Hart | Drums, Percussion, Group Member | | Peter Miller | Engineer | | Phil Lesh | Producer, Group Member, Bass | | Ramrod | Crew | | Rick Griffin | Cover Illustration, Illustrations | | Robbie Taylor | Production Coordination | | Steve Parish | Crew | | Susana Millman | Photography | | Willy Legate | ? |
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