Buck Clayton/Earl Hines All-Stars - Jazz from a Swinging Era [Complete Edition]

Buck Clayton/Earl Hines All-Stars - Jazz from a Swinging Era [Complete Edition]
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Album Details

Title: Jazz from a Swinging Era [Complete Edition]
Artist: Buck Clayton/Earl Hines All-Stars
Release Date: 2006
Re-Released On: 8/20/2008
Label: Lone Hill Jazz
Album Type(s): Greatest Hits
UPC: 8436019582459
Genre: Jazz
Styles: Early Jazz, Jazz Instrument, Trumpet Jazz
Moods: Amiable/Good-Natured, Confident, Elegant, Refined/Mannered, Stylish, Earthy, Energetic, Sophisticated, Laid-Back/Mellow, Playful, Rollicking, Romantic, Soothing, Boisterous, Reserved, Restrained, Exuberant
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 2

Track Listings Disc 1

  1. Into the Blues Bag
  2. Satin Doll
  3. Smiley's Blues
  4. Rosetta
  5. Swingin' the Blues
  6. Très Chaud
  7. It's Magic
  8. Secret Love
  9. 3 D's in 2 B Time
  10. I'll Try
  11. Swingville
  12. What Is There to Say
  13. I Can't Get Started
  14. Jive at Five

Track Listings Disc 2

  1. If I Had You
  2. Indiana
  3. This Is Always
  4. Lester Leaps In
  5. Night Cap
  6. Into the Blues Bag [*]
  7. Très Chaud [*]
  8. Swingin' the Blues [*]
  9. Swingville [*]
  10. Buck's Blues [*]
  11. Body and Soul [*]
  12. Indiana [*]
  13. St. Louis Blues [*]

Additional Releases

YearTypeLabelCatalog #
2008CDLone Hill Jazz10245

Other Editions

  • No other editions were found for this album.

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Album Review

Count Basie's trumpet alumnus Buck Clayton organized and led a fine "all-star" band that toured Europe during March and April of 1967. They visited ten different countries, performed at 27 concerts in two-dozen cities, and laid down 19 tracks in a Parisian studio on March 12th. This double-disc compilation presents all of that material with the addition of eight jams recorded live at the Tivoli Konzerthalle in Copenhagen on March 17th, at the Liederhalle in Stuttgart on April 3rd, and at Ronnie Scott's Jazz Club in London on April 6th. The extraordinary front line included trumpeter Roy Eldridge; trombonist Vic Dickenson; and saxophonists Earle Warren (who also played clarinet wonderfully), Budd Johnson, and Bud Freeman. Pianist and organist Sir Charles Thompson, who had been a primal force in the bop revolution of the mid-'40s, was placed in the unenviable position of alternating with Earl Hines, who is said to have precipitated the dissolution of this touring ensemble by dominating the group with his powerful persona. This friction, along with the presence of Roy Eldridge, certainly helped to spark things up a bit both in the studio and on-stage. The upbeat numbers from the live dates are wild, particularly a screaming 11-minute race through "St. Louis Blues," which is very much dominated by Earl Hines. Crucial support was provided by bassist Bill Pemberton and drummer Oliver Jackson. Since many of the players shared a Basie background, a pleasant and interesting contrast was provided by the sunny tonalities of Bud Freeman, a gentle soul whose handling of the ballad "What Is There to Say" brings to mind a large orange tomcat curled up on a cozy cushion inside of a wicker basket. ~ arwulf arwulf, All Music Guide

Credits

NameCredits
Bill PembertonBass
Buck ClaytonTrumpet
Bud FreemanSax (Tenor)
Budd JohnsonSax (Tenor), Sax (Soprano)
Chief Justice Earl WarrenClarinet
Earl HinesPiano, Soloist
Earle WarrenSax (Alto)
Jack HigginsLiner Notes
Jack SohmerLiner Notes
Oliver JacksonDrums
Roy EldridgeTrumpet
Sir Charles ThompsonOrgan, Piano
Vic DickensonTrombone