Album Details
Title: Lolita Nation Artist: Game Theory Release Date: 1987 Re-Released On: 10/25/1990 Label: Enigma Duration: 74:06 UPCs: 018777328029, 018777328043 Genre: Rock Styles: Alternative Pop/Rock, Power Pop, Paisley Underground, Jangle Pop, Alternative/Indie Rock, College Rock, American Underground Moods: Angst-Ridden, Bittersweet, Cerebral, Confident, Energetic, Intimate, Literate, Passionate, Playful, Poignant, Quirky, Rollicking, Self-Conscious, Sophisticated, Tense/Anxious, Wistful, Witty Total Copies: 0 Members Wishing: 10 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Kenneth, What's the Frequency?
-
Not Because You Can
-
Shard
-
Go Ahead, You're Dying To
-
Dripping With Looks
-
Exactly What We Don't Want to Hear
-
We Love You, Carol and Alison
-
The Waist and the Knees
-
Nothing New
-
The World's Easiest Job
-
Look Away
-
Slip
-
The Real Sheila
-
Andy in Ten Years
-
Watch Who You're Calling Space Garbage Meteor Mouth/Pretty Green ...
-
Where They Have to Let You In
-
Turn Me on Dead Man
-
Mammoth Gardens
-
Little Ivory
-
Museum of Hopelessness
-
Toby Ornette
-
All Clockwork and No Bodily Fluids Makes Hal a Dull Humbert/In ...
-
One More for Saint Michael
-
Choose Between Two Sons
-
Chardonnay
-
Last Day That We're Young
-
Together Now, Very Minor
Additional Releases
| Year | Type | Label | Catalog # | | 1990 | CD | Enigma | 73280 |
|
Other Editions
- No other editions were found for this album.
|
|
Album Review
Game Theory leader Scott Miller has never made much of a secret of his fondness for Big Star, but while Real Nighttime favored the sound of #1 Record and The Big Shot Chronicles suggested the harder-edged tone of Radio City, Lolita Nation sounded like Game Theory's variation on the themes of Big Star's masterfully damaged swan song, Third/Sister Lovers. Certainly Game Theory's most ambitious album, Lolita Nation was a two-LP set that combined some of Miller's most user-friendly power pop with dark, moody ruminations on betrayal, failed love, and mortality, bursts of avant-garde noise, and fragments of unclassifiable studio doodling, all thrown into a sonic Cuisinart through Miller's aggressive use of aural montage. Lolita Nation is more than a bit disorienting on first listen, though it finds the band playing at the top of their form on challenging material (new guitarist Donnete Thayer makes an impressive debut), and there are more than a few flat-out brilliant tracks (such as "Chardonnay," "The Waist and the Knees," and "The Real Shelia") alongside such head-scratchers as "Turn Me on Dead Man," "Watch Who You're Calling Space Garbage Meteor Mouth," and the 22nd track (which stubbornly defies titling). Taken as a whole and given time to fully absorb, Lolita Nation is probably Game Theory's finest and most impressive album, though it's also the worst place for a beginner to start examining their work. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Angie Carlson | Vocals (Background), Piano | | Dan Vallor | Vocals (Background) | | Donnette Thayer | Guitar, Vocals | | Eddy Schreyer | Mastering | | Eric Marshall | Drums (Electric), Drums (Bass) | | Gil Ray | Vocals (Background), Guitar, Drums | | Guillaume Gassuan | Vocals (Background), Bass | | Jeff Layton | Vocals (Background) | | Jozef Becker | Voice Sample | | Lindsay Watson | Voice Sample | | Lori Bauer | Vocals (Background) | | Lynda Burdick | Photography | | Michael Quercio | Vocals (Background), Synthesizer | | Mitch Easter | Engineer, Guitar, Piano, Producer | | Robert Toren | Guitar (Bass) | | Scott Miller | Guitar, Vocals | | Shelley LaFreniere | Vocals (Background), Synthesizer | | Zachary Smith | Sampled Guitar | | Zack Smith | Guitar |
|
|