Track Listings
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Yo
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Me Duele Festejar
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En la Ribera
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Sencillamente
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O Vas a Misa...
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Esperando el Impacto
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Andan Yugando
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Madre Hay Una Sola
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Vamo'en la Salud
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Inundacion
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Barriletes
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La Flor de Mis Heridas
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...y Llegara la Paz
Additional Releases
| Year | Type | Label | Catalog # | | ------ | CD | Universal International | 05459 |
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Other Editions
- No other editions were found for this album.
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Album Review
Argentina has been a major-league rock en español player thanks to an impressive list of bands that has ranged from los Fabulosos Cadillacs to Babasónicos -- and another band that should be included on that list is Bersuit, who take their share of chances on the ambitious Testosterona. In terms of influences, this 2005 release is all over the place; Testosterona finds the Argentine rockers incorporating everything from reggae, ska, hip-hop, and British punk to South America folk, Dominican merengue, and West African pop. Testosterona is definitely experimental, although not in an abstract or angular way -- and Bersuit's melodies are highly infectious whether they are being moody on "Sencillamente" and "Inundacion" or relentlessly exuberant on "Vamo en la Salud," "La Flor de Mis Heridas," and "O Vas a Misa." A recurring theme on this album is freedom -- personal freedom, political freedom, freedom from oppressive social conditions. And on "El la Ribera," Bersuit describes the oppressive poverty and desperate conditions that trouble an indigenous region of Argentina. The South American country's problems are also examined on "Me Duele Festejar"; the English translation of that title is "It Hurts to Celebrate," and Bersuit is reflecting on how difficult it is to have any piece of mind when one's country is experiencing such bad economic troubles (after suffering a major economic collapse in 2001, Argentina was plagued by very high unemployment, a major increase in violent crime, and a frightening wave of kidnappings). Because Bersuit uses a lot of regional Argentine slang, non-Argentine listeners may have a hard time understanding some of the lyrics -- even if they speak a lot of Spanish. This CD is full of Argentine expressions that someone from, say, Mexico or El Salvador may be unfamiliar with (just as regional Australian slang isn't something Canadians are surrounded by in Toronto). Nonetheless, Testosterona is an exciting demonstration of what Bersuit had to offer creatively in the mid-2000s. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Alejandro Balbis | Coros | | Alejandro Pensa | Drums | | Alejandro Ros | Graphic Design | | Alejandro Terán | Arranger, Choir Arrangement, Direcccion de Cuerdas, Viola | | Alejandro Vázquez | A&R | | Amadeo Monges | Arpa | | Andrés Calamaro | Vocals | | Anibal Kerpel | Mini Moog, Organ (Hammond), Engineer, Associate Producer | | Aníbal Rodríguez Blanco | Production Assistant | | Bam Bam Miranda | Cajon, Campana, Conga | | Can Am | Mixing | | Carlos "La Mona" Jimenez | Vocals | | Carlos Martin | Group Member, Loop, Bateria, Percussion | | Casa | Mixing | | Del Cielito | Recording | | Eduardo Pereyra | Engineer | | Espector Claudio | Dirigida | | Fabiola Russo | Engineer | | Germán "Cóndor" Sbarbatti | Group Member, Vocal Arrangement | | Gustavo Cordero | Vocals | | Gustavo Santaolalla | Producer, Coros, Guitar (Acoustic) | | Huexo DelSindicato | Rap | | Juan Subirá | Sequencing, Clavinet, Organ (Hammond), Piano (Electric), Piano, Group Member, Vocals | | Julián Gandara | Cello | | Marcelo Predacino | Spanish Guitar | | Mark Marino | Production Assistant | | Néstor Acuña | Accordion | | Nora Lezano | Photography | | Oscar Righi | Sound Effects, Group Member, Guitar (Electric) | | Pepe Césoedes | Guitar (Acoustic), Cuatro, Bajo Sexto, Group Member | | Sebastián Arpesella | Photography | | Sebastián Pangusi | Percussion | | Smoller DelSindicato | Rap | | Tom Baker | Mastering | | Tony Peluso | Mixing, Engineer |
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