Album Details
Title: Red Hot + Blue: A Tribute to Cole Porter Artist: Various Artists Release Date: 1991 Re-Released On: 10/20/1998 Label: Chrysalis Duration: 72:23 Album Type(s): Various artists collection, Greatest Hits, lyrics/libretto UPCs: 094632179920, 015775154223, 094632179944, 762185119341, 762185123225 Genre: Rock Styles: Dance-Pop, Funk, Spoken Word, Urban, Singer/Songwriter, Bop, Adult Contemporary, Alternative Pop/Rock, Contemporary Pop/Rock, Post-Bop, Hard Bop, New Orleans R&B, Standards, Club/Dance, Adult Alternative Pop/Rock, Beat Poetry, Experimental Rock, Alternative/Indie Rock, College Rock Total Copies: 16 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I've Got U Under My Skin :: Neneh Cherry
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In the Still of the Night :: Neville Brothers
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You Do Something to Me :: Sinéad O'Connor
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Begin the Beguine :: Salif Keita
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Love for Sale :: Fine Young Cannibals
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Well Did You Evah? :: Debbie Harry, Iggy Pop
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Miss Otis Regrets/Just One of Those Things :: Kirsty MacColl, The Pogues
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Don't Fence Me In :: David Byrne
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It's All Right with Me :: Tom Waits
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Ev'ry Time We Say Goodbye :: Annie Lennox
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Night + Day :: U2
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I Love Paris
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So in Love :: k.d. lang
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Who Wants to Be a Millionaire :: Thompson Twins
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Too Darn Hot :: Erasure
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I Get a Kick :: Jungle Brothers
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Down in the Depths :: Lisa Stansfield
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From This Moment On :: Jimmy Somerville
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After You, Who? :: Jody Watley
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Do I Love You :: Aztec Camera
Additional Releases
| Year | Type | Label | Catalog # | | 1990 | CD | Chrysalis | F2-21799 | | ------ | CD | Chrysalis | F2-21799 |
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Other Editions
- No other editions were found for this album.
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Album Review
Cole Porter did not die of AIDS, but he is generally acknowledged to have been at least bisexual, which seems to be the justification for assembling an AIDS charity album in which contemporary artists perform songs he wrote in the 1920s, '30s, '40s, and '50s. Producer/creators Leigh Blake and John Carlin (along with Steve Lillywhite, credited as supervising musical producer, who produced several of the individual tracks) appear to have suggested to the artists that they simply take Porter's lead sheets and come up with arrangements and recordings in their own individual styles. Leading off the album, Neneh Cherry demonstrates how far that can be from traditional approaches to Porter's music. Her "I've Got U Under My Skin" begins with a rap about AIDS over a hip-hop arrangement, and it never uses much more of Porter's original music and lyrics than the title phrase. No wonder the album booklet makes a point of printing Porter's words to the songs as written, since in some cases that's the only place they can be found. Cherry's effort and the Jungle Brothers' similar take on "I Get a Kick Out of You" (here called "I Get a Kick") prove to be the most radical reinterpretations. And there are tracks in which the artists have taken the opposite tack, going for re-creations of styles from decades past. Sinéad O'Connor is accompanied by the Malcolm Griffiths Orchestra in a swinging performance of "You Do Something to Me" that Porter would have found familiar, and Lisa Stansfield also takes a retro approach in a horn-filled arrangement of "Down in the Depths," while Jody Watley's "After You, Who?" sounds like something a '50s nightclub singer might do, complete with strings. But most of the time, the artists just sound like themselves. Tom Waits' falsetto treatment of "It's All Right with Me" wouldn't sound out of place on his Swordfishtrombones album, for example, and David Byrne's "Don't Fence Me In," with its Latin percussion, could be on his Rei Momo. Sometimes, the artists' familiar styles play into emotional statements of the Porter lyrics, such as with Annie Lennox's torchy "Ev'ry Time We Say Goodbye" and k.d. lang's moody "So in Love." Other times, especially in the cases of some of the dance-pop artists, the song-as-written is largely subsumed to the arrangement; Jimmy Somerville's "From This Moment On" at one point forgets it's based on a Porter song and borrows from Donna Summer's "I Feel Love." And then there are a few artists who clearly just wanted to have some fun, in particular the teaming of Debbie Harry and Iggy Pop on "Well, Did You Evah?," a song that previously provided comic opportunities to Bing Crosby and Frank Sinatra. Like most various-artists albums and most tribute albums, this one is wildly uneven; like most charity albums, it's in the service of a good cause. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Aaron Neville | ?, Vocals | | Abraham Sirinix | Percussion, Clarinet, Vocals (Background) | | Afrika Bambaataa | Producer, Mixing | | Alannah Currie | Vocals | | Alannah Gurrie | Vocals | | André Cymone | Producer | | Andre Soulies | Engineer | | Andy Bill | Arranger, Producer | | Andy Cox | Guitar, Producer, Mixing | | Andy Morris | Brass, Producer | | Annie Lennox | Performer, Vocals | | Annie Sarabia | Vocals (Background) | | Art Neville | Saxophone, Keyboards, Vocals | | Aztec Camera | Performer | | Ben Mink | Guitar, Producer | | Biff Dawes | Engineer | | Bill Allen | Second Engineer, Assistant Engineer | | Bill Jackson | Engineer | | Bobby Brooks | Engineer | | Booga Bear | Mixing, Producer | | Brenda Dunlap | Vocals (Background), Production Coordination | | Brian New | Mixing | | Caixa | Vocals (Background) | | Charles Neville | Vocals, Saxophone, Sax (Alto), Percussion | | Charlie Negrita | Vibraphone, Vocals (Background), Surdo | | Chris Bandy | Assistant, Assistant Engineer | | Chris Birkett | Vocal Recording, Engineer | | Chris Dickie | Engineer | | Chris Stein | Engineer, Guitar, Synthesizer, Producer | | Chucho Merchán | Bass | | Clive | Producer, Mixing | | Connie Grauer | Keyboards | | Cyril Neville | Vocals, Percussion, Drums | | Danny Duncan | Assistant Engineer | | David Byrne | Producer, Arranger, Vocals, Guitar, Performer | | David Farrell | Engineer | | David Piltch | Bass | | David Steele | Keyboards, Bass, Mixing, Producer | | Debbie Harry | Vocals, Performer | | Dr. Paul Barrett | Producer, Keyboards | | Edward Shearmur | Piano | | Eoghan McCarron | Engineer | | Erasure | Performer | | Eric Calvi | Producer, Engineer | | Eric Struthers | Guitar | | F. Richard Pappas | Executive Producer | | Fabrice Castelot | Engineer, Guitar | | Fine Young Cannibals | Performer | | Frank Gargiulo | Design | | Frank Tontoh | Drums | | Gaby le Magnifique | Bongos | | Gary Sanctuary | Keyboards | | Gato Negro | Vocals (Background) | | Graeme Hamilton | Trumpet, Piano | | Greg Cohen | Producer, Bass, Percussion | | Guy Pratt | Guitar (Bass) | | Helene Silverman | Art Direction | | Hélio Schiavo | Vocals (Background), Caixa | | Helno | Vocals | | Ian Bryan | Engineer | | Ian Devaney | Brass, Producer | | Iggy Pop | Performer, Vocals, Guitar | | James Fearnley | Accordion | | Jean Pierre Alcouffe | Brass, Executive Producer | | Jim Goatley | Engineer | | Jimmy Macdonell | Accordion | | Jimmy Somerville | Vocals, Performer | | Jody Watley | Vocals, Piano, Performer | | Joe Gruvtek Seta | Engineer | | John Azelvandre | Assistant Engineer | | John Carlin | Liner Notes, Producer | | John Clayton | Bass | | John Mitchell J. | Director, Conductor | | Johnny Dollar | Producer | | Joroz | Guitar, Vocals (Background) | | Jose Sena Nego Gato | Vocals (Background), Gritos, Vocals, Surdo | | Jungle Brothers | Performer | | k.d. lang | Producer, Vocals, Performer | | Karl Madert | Engineer | | Keith Fernley | Mixing, Engineer, Producer | | Kélétigui Diabaté | Balafon | | Kenny Kosek | Fiddle | | Kevin Whitehead | Drums | | Kim Zick | Drums | | Kirsty MacColl | Performer, Vocals | | Lee Curle | Assistant Engineer, Assistant, Mixing Assistant | | Les Négresses Vertes | Performer | | Lisa Stansfield | Vocals, Performer, Producer | | Lucien | Vocals (Background) | | Marc Ramaer | Engineer, Assistant Engineer, Second Engineer | | Mark E. Nevin | ?, Lap Steel Guitar, Guitar | | Mark Wallis | Engineer | | Martin Parry | Drums | | Mathieu Canavese | Accordion, Vocals (Background), ? | | Max Garcia | Assistant Engineer | | Mazinho Marques | Vocals (Background), Tamborim, Tambourine | | Mel Gaynor | Drums | | Mike G. | ? | | Neneh Cherry | Producer, Performer | | Neville Brothers | Performer | | Nick Playtes | Piano | | Nick Plytas | Piano | | Nick Prout | Engineer | | Nigel Godrich | Assistant Engineer | | Noel Eccles | Conga | | Patrick Frémeaux | Engineer, Coordination | | Paul O | Bass | | Paul Powell | Bass | | Phil Savage | Engineer | | Portinho | Drums, Vocals (Background) | | Portinho Tamnorim | Vocals (Background), Drums | | Randy Waldman | Piano | | Reinaldo Fernandes | ?, Vocals (Background), Repique | | Robert Musso | Mixing | | Robert Power | Engineer | | Roddy Frame | Producer, Vocals, Guitar | | Roland Gift | Vocals, Producer | | Salif Keita | Performer, Translation, Vocals | | Sammy B. | ? | | Sandy Palmer Grassi | Second Engineer, Assistant Engineer, Vocals (Background) | | Santo Chillemi | Producer, Piano, Arranger | | Saxa | Saxophone, Percussion | | Seku Tonge | Tamborim, Tambourine, Vocals (Background), Whistle (Instrument), Whistle (Human), Vocals | | Shane MacGowan | Vocals | | Simon Van Zwanenberg | Assistant Engineer, Mixing Assistant | | Sinéad O'Connor | Performer, Vocals | | Sodi | Mixing, Producer | | Souleymanne Doumbia | Percussion | | Stephen Gibson | Trumpet | | Steve Lillywhite | ?, Executive Producer, Producer, Mixing, Supervising Producer | | Steve Sacks | Tamborim, Vocals (Background) | | Teddy Borowiecki | Accordion | | The Browns | Vocals (Background) | | The Edge | Producer, Guitar | | The Pogues | Performer | | Thompson Twins | Performer | | Timbao | Vocals (Background) | | Tom Bailey | Vocals, Producer, Mixing | | Tom Waits | Performer, Producer, Chamberlin, Vocals, Percussion | | Tony Hall | Guitar, Bass | | Tony Mola | ?, Repique, Vocals (Background), Timbaus | | U2 | Performer | | Vince Clarke | Arranger, Producer | | Vinnie Colaiuta | Drums | | Willie Green | Drums, Bass | | Zeze | Drums |
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