Natalie Merchant - Retrospective 1995-2005

Natalie Merchant was with 10,000 Maniacs for four full-length albums before she departed for a solo career. Four albums and ten years into her solo career, she released Retrospective 1995-2005, a 13-track collection of highlights, containing no rarities or B-sides (those were reserved for the simultaneously released deluxe edition of the album, which had a 15-track bonus disc containing all notable non-LP tracks, including three unreleased cuts, plus duets with the Chieftains, R.E.M., Billy Bragg, and Susan McKeown). Her solo career began on a high note with Tigerlily, a continuation of the sound of latter-day 10,000 Maniacs records, heavy on the polish and laid-back atmosphere and light on jangling guitars. It entered the charts at 13, spawned the Top Ten single, "Carnival," and its Top 20 follow-up, "Wonder," and garnered generally positive reviews. But her momentum began to slow on her 1998 sophomore effort, Ophelia, which may have climbed higher on the Billboard album charts, but it failed to produce any big hit; "Kind & Generous" peaked at 18, but it never gained the same popularity as either "Carnival" or "Wonder." From there, Merchant settled into a comfortable cult, turning out variations on the Tigerlily template on 2001's Motherland and getting a little folkier on 2003's collection of traditional tunes, The House Carpenter's Daughter. Retrospective balances these four albums nicely, selecting four cuts each from Tigerlily and Ophelia while taking three from Motherland and two from House Carpenter. It not only takes the obvious highlights from these albums, but it draws an accurate, representative picture of her solo career. Which is not to say that it will please 10,000 Maniacs fans looking for music in a similar vein -- after her solo debut, Merchant's music got a little too small and insular, a little more concerned with mood and lyrics than with pop hooks to appeal to a broader audience. Those fans will likely want to stick with Tigerlily, which is a more satisfying listen overall than Retrospective, but for those who want an overview of Natalie Merchant's solo career, this does a fine job of providing that. ~ Stephen Thomas Erlewine, All Music Guide

Name Credits Adrian Lopez Guevarra Percussion Alex Mock Project Assistant Allison Miller Drums Barry MaGuire Guitar (Bass), Bass Bill Inglot Remastering Bob Glaub Bass Chris Botti Trumpet Conway Kuo Viola Cory Frye Editorial Supervision Craig Ross Guitar (Acoustic), Guitar (Electric) Dan Hersch Remastering David Ralicke Sax (Tenor), Sax (Baritone) Elizabeth Steen Piano, Organ (Hammond), Organ Erik Dellapenna Guitar (Electric), Lap Steel Guitar Frank Ockenfels Photography Gabriel Gordon Guitar (Acoustic), Guitar (Electric) Garo Yellin Cello George Cowan Engineer George Laks Organ (Hammond), Wurlitzer, Piano Ginger Dettman Project Assistant Graham Maby Bass Greg Leisz Banjo, Guitar (Acoustic), Mandolin, Guitar (Electric) Jason Yates Hammond B3, Organ (Hammond) Jennifer Turner Guitar, Vocals (Background) John Holbrook Guitar, Engineer, Guitar (Electric) Jokim Lartey Percussion José Picayo Cover Photo, Photography Karen Ahmed A&R Assistance Karen LeBlanc Project Assistant Karl Berger Conductor, String Arrangements Katell Keineg Vocals Krystof Witek Violin Lisa Liese Product Manager Lokua Kanza Guitar (Acoustic) Marion Ettlinger Photography Matt Chamberlain Percussion, Drums Matt Henderson Bass, Guitar Mavis Staples Vocals Megan Boyd Project Coordinator Michael Joyce Art Direction Michelle Kinney Cello Mike Elizondo Bass (Acoustic) Mike Piersante Engineer N'Dea Davenport Vocals Natalie Merchant Vocals, Producer, Arranger, Piano, Compilation, Art Direction Patrick Warren Organ (Pump), Chamberlin Peggy Sirota Photography Peter Yanowitz Drums Ralph Farris Viola Richie Stearns Banjo Robin Hurley A&R Assistance Steve Woolard Discographical Annotation T Bone Burnett Producer Todd Vos Engineer Tom Varner French Horn Van Dyke Parks Accordion