Album Details
Title: Tales of 1001 Nights, Vol. 1 Artist: Renaissance Release Date: 1990 Label: Sire, Warner Bros. Duration: 75:58 Album Type(s): Greatest Hits UPCs: 075992612920, 075992612944, 075992612968 Genre: Rock Styles: Prog-Rock, Art Rock Moods: Ambitious, Autumnal, Complex, Delicate, Dramatic, Elaborate, Elegant, Literate, Refined/Mannered, Reflective, Sophisticated, Theatrical Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Prologue
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Can You Understand
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Carpet of the Sun
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Running Hard
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I Think of You
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Black Flame
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Mother Russia
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Ocean Gypsy
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Trip to the Fair
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The Vultures Fly High
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The Young Prince and Princess as Told by Scheherazade
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Warner Bros. | | | 1990 | CD | Sire | 2-26129 | | 1990 | CD | Warner Bros. | 26129 |
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Other Editions
- No other editions were found for this album.
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Album Review
This 75-minute compilation and its companion volume are just about the only acknowledgments on the part of Sire Records that it ever had a progressive rock catalog, somewhere in between signing the Ramones and Madonna. The song lineup on this first volume heavily favors the group's early repertory, including songs originally done for the Sovereign label, represented here in concert recordings from Renaissance Live at Carnegie Hall. How attractive that is depends upon how one feels about those performances, versus the original studio renditions (available from One Way Records domestically and, in superior versions, from HTD Records in England). They were never too impressive on vinyl, although the digital remastering and re-equalization of the material seems to have solved much of that problem. The original Sire studio material, including "Running Hard" and "Black Flame," sound better here than they did on their original vinyl releases, which had fairly noisy pressings and were somewhat top-heavy on the bass. The accompaniments all sound crisper on the CD, the nuances and fine balances between the band and the orchestra much easier to appreciate, and the only major flaw -- and it is a big one -- is the absence of "Song of Scheherazade," their biggest orchestral-accompanied piece ever. Only a four-minute excerpt is included; admittedly, the work as a whole is somewhat overblown, taking up a little more time than it is worth, but it was the centerpiece of two separate albums, which should have told the programmers something about how much it registered to fans. ~ Bruce Eder, All Music Guide
Credits
| Name | Credits | | Annie Haslam | Vocals (Background), Vocals | | Barry Kidd | Assistant Engineer | | Carmine Rubino | Engineer | | David Hitchcock | Coordination | | David Samuel Barr | Liner Notes | | Dick Plant | Producer, Engineer, Remixing | | Douglas A. Bogie | Engineer | | Jeffrey Lesser | Mixing | | Jimmy Horowitz | Orchestral Arrangements | | John Kurlander | Engineer | | John Tout | Vocals, Keyboards | | Jon Camp | Bass Pedals, Bass, Vocals | | Lorna Stovall | Design | | Margo Chase | Photography, Art Direction | | Michael Dunford | Vocals, Guitar, Guitar (Acoustic) | | Mike Pela | Engineer, Mixing Assistant | | Patrick Stapley | Assistant Engineer | | Renaissance | Producer, Arranger | | Richard Gottehrer | Producer | | Terence Sullivan | Percussion, Drums, Vocals | | Tony Cox | Orchestral Arrangements, Conductor |
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