Album Details
Title: Shaking the Tree: Sixteen Golden Greats Artist: Peter Gabriel Release Date: 12/1990 Re-Released On: 2/15/2005 Label: Geffen, Universal Distribution, Virgin, EMI Music Distribution, Interscope Records Duration: 77:05 Album Type(s): Greatest Hits UPCs: 606949327422, 606949328627, 720642432624, 724358307924, 724381178829, 020642432649, 077778632627, 724381178928, 606949362829 Genre: Rock Styles: Prog-Rock, Contemporary Pop/Rock, Album Rock, Art Rock Moods: Detached, Eccentric, Complex, Passionate, Cerebral, Earnest, Eerie, Ominous, Refined/Mannered, Theatrical, Brooding, Cathartic, Confident, Dramatic, Earthy, Elaborate, Elegant, Enigmatic, Gentle, Intense, Intimate, Literate, Melancholy, Poignant, Quirky, Reflective, Restrained, Rousing, Laid-Back/Mellow, Sophisticated Total Copies: 52 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Solsbury Hill
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I Don't Remember
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Sledgehammer
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Family Snapshot
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Mercy Street
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Shaking the Tree
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Don't Give Up
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San Jacinto
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Here Comes the Flood
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Red Rain
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Games Without Frontiers
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Shock the Monkey
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I Have the Touch
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Big Time
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Zaar
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Biko
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | EMI Music Distribution | 583079 | | 2003 | CD | Interscope Records | 493628 | | 2002 | CD | Universal Distribution | 493274 | | 2002 | CD | Virgin | 6 | | 2002 | CD | EMI Music Distribution | 811788 | | 2002 | CD | Universal Distribution | 493286 | | 1990 | CD | Virgin | 6 | | 1990 | CD | Geffen | 2-24326 |
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Other Editions
- No other editions were found for this album.
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Album Review
Greatest-hits albums are a traditional way of buying time for artists between albums. Peter Gabriel's, entitled Shaking the Tree: Sixteen Golden Greats, arrived in December of 1990, as he was toiling away at the follow-up to his smash So, which was four years old at that point. As greatest-hits albums go, it's pretty good, containing all the hits, plus an effective re-recording of "Here Comes the Flood" and a good new song in the form of the title track. While the sequencing may leave something to be desired -- it is neither chronological, nor as supple as a good mix tape -- it does contain nearly everything a casual fan could want (nothing from the second album, though; both "On the Air" or "D.I.Y." would have been nice additions), making it an effective sampler. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alexandra Knaust | Assistant | | Allan Schwartzberg | Drums | | Andrew Clark | Synthesizer, Vocals (Background), Fairlight, Organ, Vocals, CS-80, Organ (Hammond), Piano, Keyboard Bass | | Anthony Oliver | Photography | | Bob Ezrin | Producer | | Chris Hughes | Programming, Linn | | Coral Gordon | Vocals (Background), Vocals | | Dan Roe | Assistant Engineer | | Daniel Lanois | Drums, ?, Producer, Guitar, Guitar (Electric) | | David Bottrill | Producer | | David Gregory | Guitar | | David Lord | Producer | | David Rhodes | Vocals (Background), Guitar | | Dee Lewis | Vocals (Background), Vocals | | Dick Morrisey | Saxophone | | Dick Morrissey | Saxophone | | Djalma Corrča | Triangle, Surdo, Conga | | Don Mikkelsen | Trombone | | Edel Griffith | Assistant Engineer | | George Acogny | Vocals (Background), Sequencing, Producer, Fairlight, Percussion | | Guy Baker | Trumpet | | Guy Barker | Trumpet | | Habib Faye | Bass, Guitar | | Hossam Ramzy | ?, Tambourine, Finger Cymbals, Tabla, Triangle | | Hugh Padgham | Whistle (Human) | | Jerry Marotta | Drums, Drum Sticks, Percussion | | Jill Gabriel | Vocals (Background) | | Jimmy Bralower | Linn | | John Barclay | Trumpet | | John Ellis | Guitar, Vocals (Background) | | John Giblin | Bass | | Kate Bush | Guest Appearance, Vocals (Background), Vocals | | Larry Fast | Processing, Synthesizer Bass, Synthesizer, Brass Synth, Moog Synthesizer, Prophet Synthesizer, Bagpipes, Moog Bass | | Larry Klein | Bass | | Manu Katche | Drums | | Marc Bessant | Graphic Design | | Mark Rivera | Synthesizer Saxophone, Sax (Baritone), Sax (Tenor), Sax (Alto), Saxophone | | Mouat Nomad | Design | | Nathan East | Bass | | P.P. Arnold | Vocals, Vocals (Background) | | Pete Beachill | Trumpet | | Peter "Pops" Walsh | Producer | | Peter Gabriel | Prophet Synthesizer, Drums, CS-80, Sampling, Fairlight, D-50, Linn, Vocals, CMI, Whistle (Human), Surdo, Piano, Synthesizer, Audio Frame Systems Operator, Producer, Percussion, Vocals (Background), Programming, Composer | | Peter Hammill | Vocals (Background), Vocals | | Peter Walsh | Producer | | Phil Collins | Triangle, Drums (Snare), Surdo, Conga | | Philip Todd | Saxophone | | Richard Chappell | Engineer, Audio Frame Systems Operator | | Richard Tee | Piano | | Robert Fripp | Guitar | | Robert Mapplethorpe | Photography | | Roger Bolton | Programming, Fairlight | | Shankar | Double Violin | | Simon Clark | Keyboard Bass, Organ (Hammond), Synthesizer, Fairlight, Organ, Vocals (Background), Piano | | Simon Phillips | Drums | | Steve Hunter | Guitar | | Steve Lillywhite | Producer, Whistle (Human) | | Stewart Copeland | Hi Hat, Drums | | Susie Millns | Design Coordinator | | Tabrizi Mahmoud Zadeh | Kemence | | Tony Cousins | Mastering, Remastering | | Tony Levin | Bass, Drum Sticks, Stick | | Wayne Jackson | Trumpet, Cornet | | Youssou N'Dour | Vocals (Background), Vocals |
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