Album Details
Title: Antigua Artist: Tom & Joy Release Date: 7/12/2005 Re-Released On: 0/0/2005 Label: Yellow Label, Tommy Boy, Discograph Album Type(s): lyrics/libretto UPCs: 661868162226, 3700368482711, 3760017891622 Genre: Latin Styles: Acid Jazz, Lounge, Downtempo Moods: Laid-Back/Mellow, Refined/Mannered, Soothing, Literate, Sophisticated, Stylish, Carefree, Cerebral, Elaborate, Ethereal, Gentle, Intimate, Nocturnal, Reflective, Summery, Amiable/Good-Natured, Earnest, Elegant, Romantic, Restrained Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Meditation
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Imagina
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Antigua
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Sous Tes Ailes
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Be Mine
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Esquisse
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Broadway
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Jamaïca
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Kadia
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Out of My Mind
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Celibridade
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Outro Mundo
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Lluvia
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Yellow Label | | | 2005 | CD | Tommy Boy | 1622 | | 2005 | CD | Discograph | 31325982 |
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Other Editions
- No other editions were found for this album.
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Album Review
It's clear that Tom & Joy's hearts are in Rio de Janeiro, but they are comfortable (and far better off) when they blend the bossa with a wide palate of acoustic songcraft. Antigua, easily the most highly promoted album of their career yet released (it gained U.S. distribution through Tommy Boy), is also their most ambitious -- and successful. Naturally, it begins in a warm place, with the Jobim cover "Meditation," which Joyce Hozé delivers caressingly while Thomas Naïm quotes several bossa masters with his guitar. After dispatching the Brazilian chestnut, however, Tom & Joy sound much more sure of themselves, switching from double bass to electric and replacing the strings with a brass section on "Imagina" and the title track. "Be Mine" is the highlight of the record, beginning with a horn arrangement reminiscent of Oliver Nelson's "Stolen Moments" that slowly slides away into space with help from organ and keyboards. The strings, as well as the Brazilian influence, return several times, but Tom & Joy show admirable presence of mind in not leaning on their musical mentors any more than necessary. ~ John Bush, All Music Guide
Credits
| Name | Credits | | Christophe le Friant | A&R | | Elsa Fourlon | Cello | | François Faure | Organ, Wurlitzer, Fender Rhodes, Piano | | Guillaume Farley | Bass | | Inor Sotolongo | Percussion | | Jean Daniel Botta | Double Bass | | Jean-Pierre Chalbos | Mastering | | Joyce Hoze Liwer | Vocals | | Kent Iverson | Audio Engineer | | Laure Simonin | Violin | | Linley Marthe | Bass | | Ludwig Gorhan | Horn Arrangements, Sax (Tenor), Flute, Woodwind Arrangement, Sax (Alto) | | Marie-Paule Tribord | Vocals (Background) | | Olivier Ker Ourio | Harmonica | | Raphaël Chassin | Drums | | Raphaël Soudre | Piano | | Rolando Faria | Vocals (Background) | | Sophie Delila | Vocals (Background), Vocals | | Thomas Naïm | Bass, Horn Arrangements | | Thomas Naim | Audio Production | | Thomas Naïm | Mini Moog, String Arrangements, Vocals | | Thomas Naim | Guitar | | Thomas Naïm | Guitar, Producer, Engineer | | Thomas Naim | Mini Moog | | Thomas Naïm | Woodwind Arrangement | | Thomas Naim | Vocals, Audio Engineer | | Thomas Naïm | Solina | | Tony Allen | Drums | | Valerie Tribord | Vocals (Background) |
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