Album Details
Title: High Voltage Artist: AC/DC Release Date: 10/1976 Re-Released On: 5/8/2009 Label: Alberts, Shock, EPC, Legacy Recordings, Sony Music Distribution, EMI Music Distribution, WEA International, EastWest, Epic , Albert Productions Duration: 44:19 UPCs: 075679241320, 075679241351, 4547366034868, 696998020122, 766486507029, 886973994221, 9397603353826, 075679041029, 075679041043, 5099751075929, 724347708220, 724349467125, 828768666425, 454736603486 Genre: Rock Styles: Hard Rock, Heavy Metal, Arena Rock, Album Rock, Aussie Rock Moods: Aggressive, Brash, Bravado, Fun, Hedonistic, Irreverent, Outrageous, Party/Celebratory, Raucous, Rebellious, Reckless, Rousing, Rowdy, Thuggish, Humorous, Sleazy, Crunchy, Earthy, Energetic, Playful, Rambunctious, Sexual, Confident, Gleeful, Silly, Visceral Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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It's a Long Way to the Top (If You Wanna Rock 'n' Roll)
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Rock 'n' Roll Singer
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The Jack
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Live Wire
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T.N.T.
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Can I Sit Next to You Girl
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Little Lover
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She's Got Balls
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High Voltage
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | EPC | 88697399422 | | 2007 | CD | Epic | 900 | | 2006 | CD | Albert Productions | 82876866642 | | 2004 | CD | Alberts | 33538 | | 2003 | CD | Sony Music Distribution | 5107592 | | 2003 | CD | Legacy Recordings | 80201 | | 2000 | CD | WEA International | 241351 | | 1998 | CD | Shock | 4770822 | | 1998 | CD | EMI Music Distribution | 4946712 | | 1994 | CD | EastWest | 92413 |
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Other Editions
- No other editions were found for this album.
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Album Review
One of the perennial complaints about AC/DC is that they've never changed -- and if that's true, High Voltage is the blueprint they've followed all their career. Comprised of highlights from their first two Australian albums -- 1975's TNT and its 1976 follow-up, also entitled High Voltage -- the album has every single one of AC/DC's archetypes. There are songs about rock & roll, slow sleazy blues, high-voltage boogie, double entendres so obvious they qualify as single entendres and, of course, the monster riffs of Angus Young, so big and bold they bruise the listener upon contact. It's those riffs -- so catchy they sound lifted when they're original, so simple they're often wrongly dismissed as easy -- that give the music its backbone, the foundation for Bon Scott to get dirty, and rockers never got quite as dirty as Bon Scott. Scott sounded as if you could catch a disease by listening to him. He sounded like the gateman at hell, somebody who never hid the notion that lurking behind the door are some bad, dangerous things, but they're also fun, too, and he made no apologies for that. But for as primal as High Voltage is, it's also a lot weirder and funnier than it's given credit for, too -- those are bagpipes that solo on "It's a Long Way to the Top (If You Want to Rock & Roll)," and "She's Got Balls" is a perversely funny dirty joke. This is music so primal that it's enduring -- it feels like it existed before AC/DC got there, and it will exist long afterward. And if AC/DC did wind up bettering this blueprint in the future, there's no question that this original is still potent, even thrilling, no matter how many times they returned to the well, or how many times this record is played. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Quaglieri | Mastering Supervisor | | Angus Young | Guitar, Group Member | | Bon Scott | Group Member, Vocals | | Colin Stead | Photography | | Dick Barnatt | Photography | | Erica Echenberg | Photography | | George Marino | Digital Remastering | | George Young | Producer | | Harry Vanda | Producer | | Malcolm Young | Guitar, Group Member | | Mark Evans | Bass | | Mark Tufty Evans | Group Member, Bass | | Michael Putland | Photography, Cover Photo | | Mike Fraser | Mastering Supervisor | | Murray Engleheart | Liner Notes | | Phil Rudd | Drums, Group Member | | Philip Morris | Photography | | Ted Jensen | Remastering | | UE Nastasi | Digital Assembly |
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