Album Details
Title: Frampton Comes Alive! Artist: Peter Frampton Release Date: 1976 Re-Released On: 7/8/2008 Label: A&M Records, Universal Distribution Duration: 78:06 Album Type(s): live, lyrics/libretto UPCs: 4988005524157, 731454093026, 015775226210, 015775267824, 075021650527, 075021650541, 082839650519, 082839650526, 731454071628 Genre: Rock Styles: Contemporary Pop/Rock, Arena Rock, Album Rock Moods: Earnest, Laid-Back/Mellow, Rousing, Amiable/Good-Natured, Carefree, Dramatic, Gentle, Romantic, Sweet, Cheerful, Fun, Intimate, Smooth, Theatrical, Innocent Total Copies: 6 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Something's Happening
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Doobie Wah
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Show Me the Way
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It's a Plain Shame
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All I Want to Be (Is by Your Side)
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Wind of Change
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Baby, I Love Your Way
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I Wanna Go to the Sun
Track Listings Disc 2
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Penny for Your Thoughts
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(I'll Give You) Money
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Shine On
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Jumpin' Jack Flash
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Lines on My Face
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Do You Feel Like We Do
Additional Releases
| Year | Type | Label | Catalog # | | 1998 | CD | A&M Records | 75021-6505-2 | | 1997 | CD | Universal Distribution | 5407162 | | 1993 | CD | A&M Records | 164 | | ------ | CD | A&M Records | 6505 |
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Album Review
At the time of its release, Frampton Comes Alive! was an anomaly, a multi-million-selling (mid-priced) double LP by an artist who had previously never burned up the charts with his long-players in any spectacular way. The biggest-selling live album of all time, it made Peter Frampton a household word and generated a monster hit single in "Show Me the Way." And the reason why is easy to hear: the Herd/ Humble Pie graduate packed one hell of a punch on-stage -- where he was obviously the most comfortable -- and, in fact, the live versions of "Show Me the Way," "Do You Feel Like I Do," "Something's Happening," "Shine On," and other album rock staples are much more inspired, confident, and hard-hitting than the studio versions. [The 1999 reissue in A&M's "Remastered Classics" (31454-0930-2) series is a considerable improvement over the original double CD or double LP in terms of sound -- the highs are significantly more lustrous, the guitars crunch and soar, and the bottom end really thunders, and so you get a genuine sense of the power of Frampton's live set, at least the heavier parts of his set, rather than the compressed and flat sonic profile of the old double-disc version. Frampton and the band sound significantly closer as well, even on the softer songs such as "Wind of Change," and the disc is impressive listening even a quarter century later. Of course, one must take this all with a grain of salt as a concert document -- as was later revealed, there was considerable studio doctoring of the raw live tapes, a phenomenon that set the stage for such unofficial hybrid works as Bruce Springsteen's Live/1975-85 and countless others.] ~ Bruce Eder, All Music Guide
Credits
| Name | Credits | | Bob Mayo | Synthesizer, Keyboards, Organ, Guitar, Fender Rhodes, Vocals, Piano | | Cameron Crowe | Liner Notes | | Chris Kimsey | Engineer, Remixing | | Corky Stasiak | Assistant Engineer | | Dave Wittman | Assistant Engineer | | David Redfern | Photography | | Eddie Kramer | Engineer | | Frankie d'Augusta | Assistant Engineer | | Ian Dickson | Photography | | Jay Messina | Assistant Engineer | | John Siomos | Drums | | Mike Reese | Mastering | | Mike Zagaris | Photography | | Neal Teeman | Assistant Engineer | | Peter Frampton | Remixing, Producer, Guitar, Bass, Vocals, Keyboards, Talk Box, Arranger | | Ray Thompson | Engineer | | Richard Aaron | Photography, ? | | Roland Young | Artwork, Art Direction | | Stan Evenson | Design | | Stanley Sheldon | Guitar (Bass), Bass, Vocals |
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