Flotsam & Jetsam - Doomsday for the Deceiver

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Album Details

Title: Doomsday for the Deceiver
Artist: Flotsam & Jetsam
Release Date: 1986
Re-Released On: 8/23/1991
Label: Metal Blade
UPCs: 039841407723, 017046220545, 018777213042, 039841407747
Genre: Rock
Styles: Thrash, Heavy Metal, Speed Metal
Moods: Dramatic, Enigmatic, Fiery, Passionate, Theatrical, Confident, Intense, Manic, Menacing, Raucous, Swaggering, Volatile, Aggressive, Brooding, Fierce, Gritty, Ominous, Paranoid, Rowdy, Visceral, Boisterous, Confrontational, Party/Celebratory, Romantic, Stylish
Total Copies: 0
Members Wishing: 7
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Hammerhead
  2. Iron Tears
  3. Desecrator
  4. Fade to Black
  5. Doomsday for the Deceiver
  6. Metal Shock
  7. She Took an Axe
  8. U.L.S.W.
  9. Der Fuhrer
  10. Flotzilla

Additional Releases

YearTypeLabelCatalog #
1994CDMetal Blade14077
1991CDMetal BladeCAROL-2205-2

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Album Review

Though a little rough in the production department, Flotsam & Jetsam's first album, Doomsday for the Deceiver, attempts both short bursts of thrashing intensity ("Desecrator," "Iron Tears") as well as extended, multi-part epics ("Metalshock" and the title track). Bassist and lyricist Jason Newsted occasionally attempts to squeeze too many words into some songs, but also displays a refreshing sense of humor (a rarity in this genre) on "Hammerhead" and "She Took an Axe." "U.S.L.W." is rather good but the nine-minute-plus title track is the best cut on the album, largely due to guitarist Michael Gilbert's very tasteful acoustic guitar intro. Overall, this is an important record for fans of early thrash metal. ~ Eduardo Rivadavia, All Music Guide

Credits

NameCredits
Bill MetoyerEngineer
Brian SlagleProducer
Casey McMackinAssistant Engineer
Daniel AltwiesLayout Design
Eddy Schreyer?
Edward CarlsonGuitar
Eric A.K.Vocals
Flotsam & JetsamProducer, Arranger, Main Performer
Jason NewstedGuitar (Bass)
Kelly David SmithDrums
Ken PaulakovichAssistant Engineer
Kevin TylerArtwork
Michael GilbertGuitar
Michael RichardPhotography