Album Details
Title: Duchess of Coolsville: An Anthology Artist: Rickie Lee Jones Release Date: 6/28/2005 Label: Warner Bros., Rhino Album Type(s): Greatest Hits, Contains explicit content UPCs: 081227971526, 081227471965 Genre: Rock Styles: Soft Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Album Rock Moods: Intimate, Soothing, Druggy, Laid-Back/Mellow, Literate, Reflective, Autumnal, Bittersweet, Calm/Peaceful, Gentle, Searching, Self-Conscious, Messy, Playful, Poignant, Restrained Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 3 |
Track Listings Disc 1
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A Tree on Allenford
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Altar Boy
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Beat Angels
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Bitchenostrophy
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Bye Bye Blackbird
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Chuck E's in Love
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Company
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Coolsville
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Cycles
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Firewalker
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Flying Cowboys
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Ghost Train
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Hey, Bub
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It Must Be Love
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Living It Up
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Magazine
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On Saturday Afternoons in 1963
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Pirates (So Long Lonely Avenue)
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Sailor Song
Track Listings Disc 2
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Satellites
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Scary Chinese Movie
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Skeletons
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Stewart's Coat
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The Horses
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The Last Chance Texaco
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Tigers
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Traces of the Western Slopes
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Ugly Man
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Up From the Skies
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Vessel of Light
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We Belong Together
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Weasel and the White Boys Cool
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Woody and Dutch on the Slow Train to Peking
Track Listings Disc 3
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Sunshine Superman
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Makin' Whoopee!
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Autumn Leaves
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Atlas' Marker (The Aviator) [Live]
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Easter Parade
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My Funny Valentine [Live]
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Something Cool [Live]
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The Evening of My Best Day [Live][#]
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Young Blood [#][Demo Version]
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After Hours (Twelve Bars Past Goodnight) [#][Demo Version]
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Easy Money [#][Demo Version]
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Rodeo Girl [#][Demo Version]
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Satellites [#][Demo Version]
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Rondo for the 3 Apartments on 34th Street [#][Demo Version]
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Atlas' Marker [Bruce Mix][#][Demo Version]
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Warner Bros. | | | 2005 | CD | Rhino | 79715 |
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Other Editions
- No other editions were found for this album.
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Album Review
Duchess of Coolsville is Rhino's three-CD career retrospective of the work of singer and songwriter Rickie Lee Jones, an artist who changed the face of pop in the 1970s in her own way beginning with her surprise hit "Chuck E's in Love." Since that time she has continued on a highly personal, often idiosyncratic path; one that does not always give the marketplace its due. Critics have celebrated and vilified her. Her hardcore legion of fans has scratched their collective head more than once in the last 26 years, over her changes in direction, her sporadic activity, and even at some of her live performances. But Jones has always been stubbornly true to the restless, sometimes tempestuous heart of the artist she is. Thank goodness. This collection, co-produced by Jones and Karen Ahmed, is an example of what every career retrospective should be. The three discs contained here feature generous helpings from all of her studio recordings, as well as live material. Discs one and two present her catalog from Rickie Lee Jones to The Evening of My Best Day. In addition, there are some real rarities, such as "Easter Parade," performed with the Blue Nile, and the live version of "Something Cool," released only on the cassette version of Girl at Her Volcano. Jones' cover of Donovan's "Sunshine Superman" is here from the Party of Five soundtrack, as is "Atlas' Marker (Aviator's Song)," her contribution to Century of Song with Bill Frisell. But there's much more. For starters, the set includes a whopping total of eight unissued demos, including one of "Young Blood" and another of "Satellites." The sequencing is another plus. While it may be irritating for those who like the "same old same old" of chronological style, or those who wish all album's tracks were kept together, this method, as free-ranging as the artist herself, makes for a much more engaging , poetic, and surprising listen. It's a complete yet utterly wonderful jolt to hear "Vessels of Light" from Ghostyhead followed by "We Belong Together" from Pirates, or "Bitchenostrophy" from The Evening of My Best Day preceding her read of "Bye Bye Blackbird" from Pop Pop. The package itself is elegant. It's not only full of photographs, but has essays by Hilton Als and Lee Cantelon, and Walter Becker; there's a long introductory poem by Jones, and testimonies from peers such as Randy Newman, Emmylou Harris, Chuck E. Weiss, Quincy Jones, and others, as well as people Jones has influenced such as Stina Nordenstam and Tori Amos. It's everything a career retrospective should be and then some, and it places the artist in her proper context: as an adventurer with a fiery yet tender heart that expresses itself in song without reservation, artifice, or guile. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Alex Acuņa | Conga, Drums | | Allen Sides | Engineer | | Andy Brohard | Engineer | | Andy Newmark | Drums | | Arno Lucas | Vocals (Background) | | Art Rodriquez | Drums | | Barry Goldberg | Mixing, Engineer | | Ben Sidran | Producer | | Bill DeYoung | Project Assistant | | Bill Frisell | Guitar (Electric) | | Bill Reichenbach Jr. | Trombone | | Bill Schnee | Mixing | | Blair Aaronson | Orchestration | | Bobby Bruce | Violin | | Brad Dutz | Udu, Bowls, Tarkas, Bodhran, Percussion, Marimba | | Bruce Brody | Producer | | Carol Es | Drums | | Charles Stewart Parker | Photography | | Chuck Findley | Horn | | Chuck Rainey | Bass | | Cindy Wasserman | Vocals | | Clarence McDonald | Keyboards | | Cougar Estrada | Drums | | Craig Eastman | Mandolin, Violin | | Dan Hersch | Remastering | | Dan Higgins | Flute, Transcription, Sax (Tenor) | | David Hidalgo | Guitar, Guitar (Acoustic), Guitar (8 String), Vocals | | David Hungate | Bass | | David Kalish | Guitar (Electric), Engineer, Producer, Guitar, Guitar (Acoustic) | | David Sanborn | Sax (Alto) | | David Was | Producer, Audio Production | | Dean Parks | Guitar (Electric), Guitar (Acoustic), Guitar | | Donald Fagen | Synthesizer | | Dorothy Stefanski | Project Assistant | | Doug Lyons | French Horn | | Dr. John | Keyboards, Vocals | | Efrain Toro | Percussion | | Eric Benet | Vocals | | Ernie Watts | Horn | | Fred Tackett | Guitar, Mandolin | | Gary Grant | Trumpet | | Ginger Dettman | Project Assistant | | Grant Lee Phillips | Vocals | | Greg Penny | Engineer, Mixing | | Greg Phillinganes | Keyboards | | Howard "Buzz" Feiten | Guitar, Guitar (Acoustic) | | Ian Cross | Engineer | | James Farber | Engineer | | James Newton Howard | Producer, Synthesizer | | Jason Wormer | Engineer | | Jay Lane | Cymbals | | Jeff Dellisanti | Clarinet (Bass) | | Jeff Porcaro | Drums | | Jeffrey Parcaro | Drums | | Jeffrey Pavar | Guitar | | Jerry Hey | Transcription, Flugelhorn, Trumpet | | Jim Keltner | Drums, Drum Effects | | Joe Chiccarelli | Mixing | | Joe Henderson | Saxophone | | Joe Turano | Vocals (Background) | | Joel Moss | Mixing | | John "4 Daddman" Robinson | Drums | | John Doan | Harp Guitar | | John Leftwich | Guitar (Acoustic), Bass, Cello | | John Nelson | Engineer | | John Pizzarelli | Guitar (Acoustic) | | Johnny Mandel | Orchestral Arrangements | | Jon Ingoldsby | Engineer | | Julie Last | Mixing, Engineer | | Karen Ahmed | Compilation Producer | | Karen LeBlanc | Project Assistant | | Kenny Wollesen | Drums, Percussion | | Kevin Dorsey | Vocals (Background) | | Larry Alexander | Engineer | | Larry E. Williams | Synthesizer | | Lee Cantelon | Design, Art Direction | | Lee Herschberg | Mixing, Engineer | | Lenny Castro | Percussion | | Lenny Waronker | Audio Production, Producer | | Leo Kottke | Slide Guitar, Guitar, Guitar (Acoustic) | | Leslie Smith | Vocals (Background) | | Lisa Glines | Project Assistant | | Lisa Liese | Product Manager | | Loyd Clifft | Engineer | | Mac Rebennack | Keyboards | | Mark Howard | Mixing | | Mark Johnson | Engineer, Mixing | | Mark Linett | Mixing, Engineer | | Mark Stevens | Drums | | Martin Tillman | Cello | | Marty Krystall | Horn (English), Clarinet | | Matthew Weiner | Vocals (Background) | | Michael Bernard | Programming | | Michael Boddicker | Synthesizer | | Michael Hasband | Photography | | Michael McDonald | Vocals (Background) | | Michael O'Neill | Guitar (Acoustic) | | Michael Omartian | Piano | | Michael Ruff | Piano, Vocals (Background) | | Neil Larsen | Piano, Piano (Electric), Keyboards | | Neil Stubenhaus | Bass | | Nick DeCaro | Accordion, Orchestral Arrangements | | Pascal Nabet-Meyer | Synthesizer | | Paul Jackson, Jr. | Guitar (Acoustic) | | Paul Nowinski | Bass (Acoustic) | | Peter Erskine | Drums | | Phil Feather | Horn (English) | | Ralph Burns | Orchestral Arrangements, Horn Arrangements | | Ralph Grierson | Keyboards | | Randy Brecker | Flugelhorn, Trumpet | | Randy Kerber | Keyboards | | Randy Newman | Synthesizer | | Red Callender | Bass | | Rene Camacho | Bass | | Rick Boston | Sleigh Bells, Bowed Dulcimer, Piano, Wurlitzer, Guitar, Kalimba, Drums, Recorder, Bass, Various, Programming, Loop, Producer | | Rickie Lee Jones | Horn Arrangements, Mandolin, Vocal Arrangement, Vocals (Background), Horn, Compilation Producer, Synthesizer, Keyboards, Kalimba, Wurlitzer, Guitar (Rhythm), Recorder, Audio Production, Bowed Dulcimer, Guitar, Arranger, Vocals, Dulcimer, Producer, Drums, Sleigh Bells | | Rob Mounsey | Synthesizer | | Rob Wasserman | Guitar (Acoustic), Double Bass, Producer | | Robben Ford | Guitar (Acoustic) | | Robert Devery | Programming, Rhythm | | Robert Zimmitti | Percussion | | Roger Nichols | Mixing, Engineer | | Russ Titelman | Producer, Audio Production | | Russell Ferrante | Keyboards | | Sal Bernardi | Harmonica, Vocals (Background), Vocals, Guitar (Electric) | | Sheryl Farber | Editorial Supervision | | Steve Berlin | Producer | | Steve Gadd | Drums, Guitar | | Steve Lukather | Guitar | | Steve Woolard | Annotation | | Syd Straw | Vocals | | Tom Scott | Sax (Baritone), Sax (Tenor), Horn | | Tommy LiPuma | Producer | | Tony Scherr | Bass | | Vanessa Atkins | Project Assistant | | Victor Feldman | Keyboards, Percussion | | Vince Mendoza | Trumpet | | Walfredo Reyes | Percussion | | Walter Becker | Producer, Synthesizer, Bass, Audio Production | | Waring Abbott | Photography | | William McLeish Smith | Organ | | Willie Weeks | Bass, Guitar (Bass) |
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