Album Details
Title: X&Y Artist: Coldplay Release Date: 6/7/2005 Re-Released On: 8/19/2008 Label: Capitol Records, EMI Music Distribution UPCs: 094631128028, 4988006857810, 724347478628 Genre: Rock Styles: Alternative Pop/Rock, Britpop, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Austere, Bittersweet, Earnest, Reflective, Brooding, Cathartic, Ethereal, Intimate, Literate, Melancholy, Amiable/Good-Natured, Complex, Passionate, Precious, Refined/Mannered, Rousing, Searching, Sophisticated, Stylish, Theatrical, Poignant, Plaintive, Dramatic Total Copies: 9 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Square One
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What If
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White Shadows
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Fix You
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Talk
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X&Y
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Speed of Sound
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A Message
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Low
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The Hardest Part
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Swallowed in the Sea
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Twisted Logic
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Til Kingdom Come [Hidden Track]
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | EMI Music Distribution | 53954 | | 2005 | CD | Capitol Records | 74786 |
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Album Review
After Radiohead stubbornly refused to accept the mantle of "world's biggest and most important rock band" by releasing the willfully strange rocktronica fusion Kid A in 2000, Coldplay stepped up to the plate with their debut, Parachutes. Tasteful, earnest, introspective, anthemic, and grounded in guitars, the British quartet was everything Radiohead weren't but what the public wanted them to be, and benefited from the Oxford quintet's decision to abandon rock stardom for arcane art rock. Parachutes became a transatlantic hit and 2002's sequel, A Rush of Blood to the Head, consolidated their success by being bigger and better than Parachutes, positioning Coldplay to not be just the new Radiohead, but the new U2: a band that belongs to the world but fans believe that the music is for them alone. To that end, Coldplay's third album, X&Y -- slightly delayed so it follows Rush of Blood by nearly three years, but that's no longer than the time separating OK Computer and Kid A, or The Unforgettable Fire and The Joshua Tree -- is designed to be the record that elevates Coldplay to the major leagues, where they are at once the biggest and most important band in the world. It's deliberate and sleek, cinematic and pristine, hip enough to sample Kraftwerk and blend in fashionable retro-'80s post-punk allusions without altering the band's core. Indeed, X&Y is hardly a bold step forward, but rather a consolidation of Coldplay's strengths, particularly their skill at crafting surging, widescreen epics. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adam Noble | Assistant | | Andrea Wright | Assistant | | Anne Lines | Strings | | Audrey Riley | Strings, String Arrangements | | Brian Eno | Synthesizer | | Bryan Russell | Assistant | | Carmen Rizzo | Computers, Computer Editing | | Chris Athens | Mastering | | Chris Martin | Vocals, Piano | | Chris Tombling | Strings | | Coldplay | Photography, Producer, Audio Production | | Dan Keeling | A&R | | Dan Porter | Assistant | | Danny Porter | Assistant | | Danton Supple | Producer, Audio Production | | Estelle Wilkinson | Management | | George Marino | Mastering | | Guy Berryman | Guitar (Bass) | | Jake Jackson | Assistant | | Jon Bailey | Assistant | | Jonny Buckland | Guitar | | Keith Gary | Pro-Tools, Digital Editing | | Ken Nelson | Producer, Audio Production, Engineer | | Kevin Westenberg | Photography | | Laura Melhuish | Strings | | Mark Pythian | Computer Editing, Computers | | Mathieu Lejeune | Assistant | | Matt McGinn | Guitar | | Michael Brauer | Mixing | | Mike Pierce | Assistant | | Peter Lale | Strings | | Richard George | Strings | | Robert Smith | Computers, Assistant | | Sue Dench | Strings | | Tappin Gofton | Design, Art Direction | | Taz Mattar | Assistant | | Tim Roe | Assistant | | Tom Sheehan | Photography | | Will Champion | Drums | | William Paden Hensley | Assistant |
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