Album Details
Title: The Best of Sugar Ray Artist: Sugar Ray Release Date: 6/7/2005 Re-Released On: 1/29/2008 Label: Rhino Records, Rhino, Atlantic, Rhino Atlantic Album Type(s): Greatest Hits UPCs: 081227462826, 081227994228, 081227462864, 081227657024 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Heavy Metal, Funk Metal, Post-Grunge, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Confident, Party/Celebratory, Relaxed, Swaggering, Freewheeling, Fun, Irreverent, Rollicking, Aggressive, Boisterous, Happy, Playful, Rambunctious, Energetic, Hedonistic, Amiable/Good-Natured, Exuberant Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Shot of Laughter [#]
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Answer the Phone
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Fly
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Someday
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Under the Sun
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Every Morning
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Mean Machine
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Falls Apart
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Time After Time [#]
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Rhyme Stealer
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When It's Over
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Rpm
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Is She Really Going Out With Him?
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Psychedelic Bee [#]
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Chasin' You Around
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Rhino Records | 399548 | | 2005 | CD | Rhino | 76570 | | 2005 | CD | Atlantic | 74628 | | 2005 | CD | Rhino Atlantic | |
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Other Editions
- No other editions were found for this album.
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Album Review
Around the time that "Every Morning" proved Sugar Ray weren't a one-hit wonder in 1998 -- following the 1997 smash "Fly," it was suggested that, at the very least, they'd be a two-hit wonder -- it became clear that the way to listen to Sugar Ray would be a greatest-hits compilation. That suspicion increased as they piled up hit singles over the next few years -- "Falls Apart" and "Someday" in 1999/2000, "Answer the Phone" and "When It's Over" in 2001 -- and when the bottom finally fell out with 2003's In the Pursuit of Leisure, which failed to generate any big hit, it became clear that it wouldn't be long before that hits disc came along. And here it is: Greatest Hits, released in the middle of June 2005, just as the summer was getting under way. That's appropriate, because Sugar Ray's breezy party music is designed for the summer, as this 15-track disc proves -- not only is it the perfect soundtrack for lazy days at the beach, lead singer Mark McGrath incessantly mentions summer in his lyrics, which just sets the mood. That mood is occasionally broken by such remnants of the group's metallic beginnings as "Rhyme Stealer" and "RPM," which stand in uneasy contrast to the sunny, friendly sound that not only brought the group fame and fortune, but made them one of the prime guilty pleasures at the turn of the millennium. These songs are all the more jarring because the collection is not presented in chronological order -- a move that wouldn't have been a problem if the disc didn't dip back to those early stilted hard rock cuts, since "Mean Machine" really spoils the mood that "Every Morning" sets. But that's nitpicking, since it's a problem that can be solved by programming, fast forward, or play lists. What's really nice about Greatest Hits is that it collects those aforementioned great guilty pleasures in one place. The rest of the album isn't as good as those hits -- some of it is just pleasant filler, some of it is ham-fisted rock -- but it's largely entertaining pop, and it makes for a good hits collection. (The disc contains three unreleased songs: the nice "Shot of Laughter," which is yet another entry in McGrath's "endless summer" catalog; a cheerful reworking of Cyndi Lauper's "Time After Time," which relates neatly to Sugar Ray's cataloging of '80s favorites on "Under the Sun"; and the punk metal of "Psychedelic Bee," whose title inadvertently brings to mind the neo-psychedelic classic by Mercury Rev, "Chasing a Bee.") ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alex Uychocde | Assistant | | Becky Wagner | Project Assistant | | Ben Wallach | Engineer | | Chip Quigley | Management | | Chris Lord-Alge | Mixing | | Cory Frye | Project Assistant | | Craig "DJ Homicide" Bullock | Scratching, Programming, Turntables, Group Member, Vocals (Background), Vocals (Background), Turntables | | David Kahne | Keyboards, Engineer, Producer, Programming, Audio Production, Mixing | | David Leonard | Mixing | | Don Gilmore | Engineer, Producer, Audio Production | | Doug Trantow | Assistant Engineer | | Elissa Kazdin | Photography | | George Holtz | Photography | | James Murray | Assistant Engineer | | Jen Lowery | Photography | | John Ewing, Jr. | Assistant Engineer, Engineer | | John Travis | Engineer, Mixing, Tracking | | Karen Ahmed | Project Assistant | | Karen LeBlanc | Project Assistant | | Kenny Nemes | Production Coordination, Product Manager | | Kevin Mills | Assistant | | Larry Freemantle | Art Direction | | Malia Doss | Business Consultant | | Mark McGrath | Guitar, Vocals, Group Member | | Mark Nixdorf | Assistant Engineer | | Matt Silva | Assistant | | Matthew Abels | Project Assistant | | McG | Producer, Audio Production, Photography | | Michael Brauer | Mixing | | Mika Hashimoto | Photography | | Mike Rew | Assistant Engineer | | Mike Savoia | Project Assistant | | Mike Savola | Photography | | Mon "Monster" Agranat | Engineer | | Murphy Karges | Introduction, Guitar (Bass), Bass, Liner Notes, Group Member | | Randy Perry | Project Assistant | | Reggie Collins | Discographical Annotation, Annotation | | Rob Brill | Engineer | | Rodney Sheppard | Vocals (Background), Group Member, Guitar, Vocals (Background), Guitar | | Stan Frazier | Guitar, Group Member, Drums, Guitar, Vocals (Background), Drums, Vocals (Background) | | Stephen Stickler | Photography | | Steve Duda | Engineer | | Steve Gallagher | Engineer | | Steve Kaplan | Assistant | | Sugar Ray | Compilation Producer | | Super Cat | Vocals |
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