Album Details
Title: The One Artist: Elton John Release Date: 6/23/1992 Re-Released On: 11/24/1992 Label: MCA Records, Rocket Group Pty LTD Duration: 57:27 Album Type(s): lyrics/libretto UPCs: 008811061425, 008811061449, 008811061456, 731451236020, 731451236051 Genre: Rock Styles: Singer/Songwriter, Adult Contemporary, Contemporary Pop/Rock Moods: Poignant, Rollicking, Rousing, Sentimental, Carefree, Cheerful, Confident, Fun, Lively, Melancholy, Organic, Plaintive, Reflective, Stylish, Wistful, Yearning, Amiable/Good-Natured, Bittersweet, Brash, Bright, Dramatic, Energetic, Freewheeling, Lush, Nocturnal, Playful, Romantic, Smooth, Warm, Whimsical, Bravado, Calm/Peaceful, Delicate, Elegant, Enigmatic, Epic, Intimate, Laid-Back/Mellow, Light, Party/Celebratory, Passionate, Quirky, Sad, Soft, Sprawling, Swaggering, Detached, Earnest, Earthy, Indulgent, Refined/Mannered, Restrained, Rowdy, Searching, Soothing, Sweet, Autumnal, Boisterous, Campy, Confrontational, Raucous, Reserved, Silly, Snide, Summery, Theatrical, Wry, Exuberant, Gentle Total Copies: 74 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Simple Life
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The One
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Sweat It Out
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Runaway Train
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Whitewash County
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The North
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When a Woman Doesn't Want You
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Emily
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On Dark Street
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Understanding Women
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The Last Song
Additional Releases
| Year | Type | Label | Catalog # | | 1992 | CD | Rocket Group Pty LTD | 5123602 | | 1992 | CD | Rocket Group Pty LTD | 5123605 | | 1992 | CD | MCA Records | MCAD-10614 |
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Album Review
Elton John once claimed that he could remember The One among his latter-day albums because it was the first he recorded without drugs or alcohol. If true -- and there's no reason to doubt him -- that could be the reason why this has more character than most of his albums since the early '80s, holding together well in its deliberately measured, mature songcraft by Elton and Bernie Taupin. There's less gloss than on many of his late-'80s records, and John gives a fairly convincing performance throughout this set of pretty good songs. If there's any real problem, it's that the album just doesn't have many memorable songs. Though they're all reasonably melodic and well-crafted, none of the them have memorable musical or lyrical hooks and, if anything, Chris Thomas' production is too evenhanded. Still, even if it isn't memorable, it does represent a meaningful move forward, just because it does sound warmer and more considered than the records that immediately preceded it. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adam Seymour | Guitar | | Alex Firla | Assistant Engineer | | Andy Bradfield | Assistant Engineer | | Andy Strange | Assistant Engineer | | Beckie Bell | Vocals (Background) | | Bernie Taupin | Lyricist | | Carole Fredericks | Vocals (Background) | | Chris Thomas | Producer | | Davey Johnstone | Guitar, Vocals (Background) | | David Gilmour | Guitar | | David Nicholas | Engineer | | Elton John | Vocals, Keyboards, Composer | | Eric Clapton | Guitar, Vocals | | Guy Babylon | Programming, Keyboards | | Kiki Dee | Vocals (Background) | | Mark Taylor | Keyboards | | Nigel Olsson | Vocals (Background) | | Olle Romo | Programming, Drums, Percussion | | Patrick Demarchelier | Photography | | Pino Palladino | Bass |
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