Album Details
Title: Rock of Ages...Hymns & Faith Artist: Amy Grant Release Date: 5/3/2005 Label: Word Distribution Album Type(s): lyrics/libretto UPCs: 080688639129, 080688639167 Genre: Gospel Styles: Gospel, CCM, Adult Contemporary, Contemporary Christian Moods: Poignant, Sentimental, Bright, Joyous, Spiritual, Calm/Peaceful, Fun, Passionate, Slick, Smooth, Warm, Amiable/Good-Natured, Delicate, Earnest, Gentle, Innocent, Reflective, Reverent, Sweet, Cheerful, Happy, Playful Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Anywhere With Jesus
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Carry You
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Sweet Will of God
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Joyful, Joyful, We Adore Thee
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Jesus Loves Me/They'll Know We Are Christians/Helping Hand
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Rock of Ages [Duet]
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O Master, Let Me Walk With Thee
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Abide with Me
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God Moves in a Mysterious Way/The Lord Is in His Holy Temple
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Turn Your Eyes Upon Jesus
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El Shaddai
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I Surrender All
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O Love That Will Not Let Me Go
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Word Distribution | | | 2005 | CD | Word Distribution | 886391 |
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Other Editions
- No other editions were found for this album.
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Album Review
Rock of Ages...Hymns & Faith is the rare sequel that rivals the original. 2002's Legacy, Amy Grant's first collection of old-time hymns and religious material, both familiar and obscure, was a full-fledged return to inspirational material after many years of secular material, and it was an understated delight, thanks to the smart song selection and classy, subtly shaded production from her husband Vince Gill and Brown Bannister. Rock of Ages doesn't change their approach at all, primarily because if it worked so well the first time, why change? Some of the songs here aren't as well-known as the tunes on the first record, but when Grant sings a song that is universally known, such as the title track or "Jesus Loves Me," it becomes easier to appreciate what she, Gill, and Bannister have achieved here. They have updated these old hymns -- most are from the 1800s, some date to the 1600s and 1700s -- so thoroughly that when they slip in a couple of new songs in among them, the fit is comfortable, not awkward. It works because the music is never flashy; it is relaxed and assured, giving Grant plenty of breathing room and giving Gill plenty of place to play some wonderful guitar. It's the rare contemporary christian album that functions as terrific religious material and transcends its genre based on the richness of its music. It's truly a quiet, modest little gem. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Andrea Zonn | Vocals, Violin, Viola | | Andrew Southam | Photography | | Bekka Bramlett | Vocals | | Billy Thomas | Vocals | | Brown Bannister | Producer, Arranger | | Burton Brooks | A&R | | Burton Grant | Vocals, Recitation | | Chad Cromwell | Drums | | Charles Rose | Horn | | David Kaufman | Wardrobe | | Dean Parks | Guitar (Electric), Slide Guitar | | Eric Darken | Tambourine, Percussion, Conga | | Harvey Thompson | Horn | | Isaac Freeman | Vocals | | Jamie C. Taylor | Make-Up | | Jenny Gill | Vocals | | Jim Horn | Sax (Tenor), Horn Arrangements, Horn | | John Catchings | Cello | | John Hobbs | Synthesizer, Piano, Piano (Electric), Fender Rhodes, Organ (Hammond), Arranger, Keyboards | | John Jarvis | Piano, Keyboards, Wurlitzer | | Katherine Petillo | Art Direction | | Kim Keyes | Vocals | | Mark Prentice | Director | | Michael McDonald | Vocals | | Quintin Ware | Horn | | Rob Talty | Hair Stylist | | Robert Hamlett | Vocals | | Sally Carns Gulde | Design | | Sam Levine | Penny Whistle | | Steve Bishir | Mixing, Engineer | | Steve Hall | Mastering | | Stuart Duncan | Banjo, Fiddle | | The Fairfield Four | Vocals | | Traci Sterling Bishir | Production Coordination | | Vince Gill | Vocals, Mandolin, Producer, Guitar (Acoustic), Arranger, Archguitar, Guitar (Electric) | | William Owsley III | Guitar (Electric) | | Willie Weeks | Bass, Bass (Upright) | | Wilson Waters | Vocals |
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