Lee Ann Womack - There's More Where That Came From

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Album Details

Title: There's More Where That Came From
Artist: Lee Ann Womack
Release Date: 2/8/2005
Label: MCA Nashville
Album Type(s): lyrics/libretto
UPC: 602498631423
Genre: Country
Styles: Country-Pop, Contemporary Country
Moods: Amiable/Good-Natured, Calm/Peaceful, Earthy, Gentle, Intimate, Organic, Passionate, Romantic, Sentimental, Stylish, Theatrical
Total Copies: 14
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. There's More Where That Came From
  2. One's a Couple
  3. I May Hate Myself in the Morning
  4. The Last Time
  5. He Oughta Know That by Now
  6. Twenty Years and Two Husbands Ago
  7. Happiness
  8. When You Get to Me
  9. Painless
  10. What I Miss About Heaven
  11. Waiting for the Sun to Shine
  12. Stubborn (Psalm 151)

Additional Releases

YearTypeLabelCatalog #
2005CDMCA Nashville000307302

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Album Review

Lee Ann Womack has always been more comfortable with country-pop than hardcore country, sounding relaxed and assured in smoother surroundings. That friendliness helped Womack become one of the most popular country singers of the late '90s, and it's what made her albums enjoyable even when they were a little bit too slick or relied on material that was just this side of generic. There's More Where That Came From, her fifth proper studio album and first after her 2004 Greatest Hits compilation, is still firmly within the country-pop confines, but there's a notable difference -- as the rather brilliant cover art suggests, this hearkens back to the sound and style of early-'70s country-pop albums from the likes of Barbara Mandrell, Loretta Lynn, and Dolly Parton. Not that this is a retro effort, or anything like a stab at neo-traditionalist country. Instead, Womack takes her inspiration from these records, crafting a record that's laid-back but never lazy, smooth but never too slick, tuneful without being cloying. While it's not far removed from her earlier albums, There's More Where That Came From has a warmer feel, a textured, colorful production, and, best of all, a strong set of songs that may be highlighted by the cheater's anthem of the title track, but has 11 songs of equally high quality. All this adds up to an album that's not only the best album that Lee Ann Womack has yet made, but one that does suggest that there is indeed more where this came from. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Andrea ZonnVocals (Background)
Ann CallisProduction Coordination
Aubrey HaynieFiddle, Mandolin
B. James LowryGuitar (Acoustic)
Bergen WhiteArranger
Bill LutherVocals (Background)
Brent MasonGut String Guitar, Guitar (Electric)
Bryan SuttonGuitar (Acoustic), Guitar (12 String), Banjo
Carl GorodetzkyContractor
Chris RodriguezVocals (Background)
Chuck AinlayMixing
David BryantAssistant
David GrissomGuitar (Electric)
Eric DarkenPercussion
Glenn WorfBass, Guitar (Bass)
Greg DromanMixing, Producer, Audio Production, Engineer
Hank WilliamsMastering
Harry StinsonVocals (Background)
James MinchinPhotography
Jason SellersVocals (Background)
Jelly Roll JohnsonHarmonica
Jimmy NicholsPiano
Julian KingAudio Engineer, Engineer
Julie BrakeyEngineer
Larry FranklinMandolin, Fiddle
Lee Ann WomackVocals (Background), Vocals
Lisa CochranVocals (Background)
Lonnie WilsonDrums, Percussion
Luke LairdVocals (Background)
Mally RoncalMake-Up
Mark CasstevensGuitar (Acoustic)
Michael RhodesBass, Guitar (Bass)
Mike "Frog" GriffithProduction Coordination
Nashville String MachineStrings
Paul FranklinGuitar (Steel), Dobro
Randy ScruggsGuitar (Acoustic)
Robert TurnerGuitar (Steel)
Rusty DanmyerGuitar (Steel)
Sara LesherEngineer
Seble MaazaWardrobe
Shannon ForestPercussion, Drums
Shannon ForrestDrums
Steve NathanSynthesizer, Wurlitzer, Piano
Stuart DuncanMandolin
Todd GunnersonAssistant
Tom BukovacGuitar (Electric)
Troy LancasterGuitar (Electric)
Wes HightowerVocals (Background)