Album Details
Title: Stardust: The Great American Songbook, Vol. 3 Artist: Rod Stewart Release Date: 10/12/2004 Re-Released On: 12/21/2007 Label: Sony BMG Music (Canada), J-Records Album Type(s): lyrics/libretto UPCs: 828766218220, 828766450026, 828766592825 Genre: Rock Styles: Adult Contemporary, Traditional Pop Moods: Amiable/Good-Natured, Earnest, Earthy, Exuberant, Laid-Back/Mellow, Organic, Rousing, Wistful, Fun, Poignant, Romantic, Sentimental, Stylish, Confident, Energetic, Freewheeling, Humorous, Joyous, Melancholy, Passionate, Playful, Raucous, Refined/Mannered, Rollicking, Rowdy, Soothing, Calm/Peaceful, Reserved, Restrained, Self-Conscious, Detached, Sophisticated Total Copies: 10 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Embraceable You
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For Sentimental Reasons
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Blue Moon
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What a Wonderful World
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Stardust
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Manhattan
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'S Wonderful
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Isn't It Romantic
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I Can't Get Started
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But Not for Me
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A Kiss to Build a Dream On
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Baby, It's Cold Outside
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Night and Day
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A Nightingale Sang in Berkeley Square
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Sony BMG Music (Canada) | 664500 | | 2004 | CD | J-Records | 62182 | | 2004 | CD | J-Records | 82876659282 |
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Album Review
If the cover of Stardust: The Great American Songbook, Vol. 3 is any indication, Rod Stewart is getting a little tired of the classy act he's put on over the last two years, as a crooner of pop standards. Gone are the straightforward portrait shots, and in their place is a jokey picture of Rod with a pair of hot legs. It unwittingly looks like a grown-up variation of the Blondes Have More Fun cover from 26 years ago ( Rod still has the same basic hairdo, bless his heart), and it's a welcome glimpse of the roguish charm and laddish sense of humor that used to be Stewart's calling card. As for the music, for all intents and purposes it's pretty much the same as it was on the first two installments of The Great American Songbook. But to Stewart's credit, he's sounding a bit more comfortable on this third go-round -- he doesn't sound as uptight, nor as mannered, as he did before. Part of this may be due to a shift in producers. Phil Ramone, who co-produced the first two, has left and has been replaced by Steve Tyrell, who releases albums in a similar vein himself. Under his watch, Stewart doesn't sound quite so studious and tentative, and the arrangements aren't quite so fussy, which ultimately makes for a better record. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adam Hawkins | Engineer | | Alan Broadbent | String Arrangements, Conductor, String Conductor | | Alan Pasqua | Piano | | Allan Schwartzberg | Drums | | Alli Truch | Creative Director | | Ana Landauer | Violin | | Andrew McPherson | Photography | | Andy Chuckerman | Synthesizer Strings | | Andy Zulla | Mixing | | Anja Wood | Cello | | Antoine Silverman | Violin, Soloist, Concert Master | | Ariel Solanes | Engineer | | Arturo Sandoval | Trumpet, Soloist | | Barbara Porter | Violin | | Belinda Whitney | Violin | | Ben McCarthy | Production Coordination | | Bette Midler | Vocals, Duet | | Bill Schnee | String Engineer, Engineer | | Bob Cranshaw | Bass, Guitar (Bass) | | Bob Mann | Rhythm Arrangements, Synthesizer, Arranger, Keyboards, Guitar, Conductor | | Bob Sheppard | Ensemble, Clarinet, Saxophone, Trumpet | | Bobby Ginsburg | Engineer | | Brian Denbow | Viola | | Bruce Dukov | Violin | | Carter William Humphrey | Engineer | | Cenobia Cummings | Violin | | Chip Jackson | Bass | | Chris Golden | Bass | | Christopher Cardona | Violin | | Clive Davis | Producer, Audio Production | | Dan Neufeld | Viola | | Danielle Farina | Viola | | Danny Miller | Cello | | Darwin Best | Engineer | | Dave Grusin | Piano | | Dave Koz | Soloist, Saxophone | | David Creswell | Viola | | David F. Walther | Viola | | David Finck | Bass | | David Low | Cello | | Debra Shufelt | Viola | | Dolly Parton | Vocals, Duet | | Dorian Holley | Vocals (Background) | | Doug Epstein | Engineer | | Ed Howard | Bass | | Edith Markman | Violin | | Endre Granat | Violin | | Eric Clapton | Soloist, Guitar | | Franklyn d'Antonio | Violin | | Gil Romero | Violin | | Haim Shtrum | Violin | | Helen Atkinson | Engineer | | J.J. Blair | Engineer | | Janet Lakatos | Viola | | Jeri Heiden | Design, Art Direction | | Jessica Troy | Viola | | Joe "Public" Allen | Keyboards | | Joe Sample | Piano | | Joe Yannece | Mastering | | Joel Evenden | Assistant | | John Beal | Bass | | John Ferraro | Drums | | John Heiden | Art Direction, Design | | Jon Allen | Production Coordination, Keyboards | | Jonathan Dinklage | Violin | | Jorge Moraga | Viola | | Julie Gigante | Violin | | Katia Popov | Violin | | Ken Yerke | Violin | | Kenny Ascher | Keyboards, Piano, Synthesizer | | Lauren Wild | Producer, Rhythm Arrangements | | Lee Thornburg | Soloist, Trumpet | | Lotus Donovan | Project Manager | | Luka Scheurer | Personal Assistant | | Machito Sanchez | Engineer | | Marlena Jeter | Vocals (Background) | | Martin Agee | Violin | | Maxim Moston | Violin | | Michael Markman | Concert Master, Violin | | Michael Teaney | Engineer | | Mike Thompson | Rhythm Arrangements, Piano, Synthesizer Strings | | Mortonette Jenkins | Vocals (Background) | | Nancy Roth | Viola | | Nick Sample | Engineer | | Paul Woodiel | Violin | | Penny Lancaster | Photography | | Plas Johnson | Saxophone, Soloist | | Raj Das | Engineer | | Reggie McBride | Bass | | Richard Perry | Audio Production, Rhythm Arrangements, Producer | | Robert Peterson | Violin | | Roberto Cani | Violin | | Ryan Petrie | Assistant | | Sarah Carter | Cello | | Shauna Krikorian | Administrative Assistant | | Simon Climie | Engineer, Guitar Engineer | | Simon Oswell | Viola | | Stephen Erdody | Cello | | Steve Ferrera | A&R | | Steve Richards | Cello | | Steve Tyrell | Audio Production, Engineer, Producer | | Stevie Wonder | Vocals, Harmonica | | Sylvia Davanzo | Violin | | Timothy Landauer | Cello | | Tom Evans | Soloist, Saxophone | | Vin "Vinny" D'Onofrio | Guitar | | Warren Luening | Clarinet, Saxophone, Soloist, Trumpet, Ensemble | | Warren Vaché | Soloist, Trumpet |
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