Album Details
Title: The Chase Artist: Garth Brooks Release Date: 9/14/1992 Re-Released On: 11/10/2008 Label: Liberty, Sony BMG Music (Canada) Album Type(s): lyrics/libretto UPCs: 077779874323, 077779874354, 077779874385, 0886974088820 Genre: Country Styles: Contemporary Country, New Traditionalist Moods: Amiable/Good-Natured, Earnest, Warm, Reflective, Slick, Wistful, Yearning, Bittersweet, Dramatic, Organic, Plaintive, Rousing, Sad, Sentimental, Wry, Poignant, Precious, Sweet, Theatrical, Gentle, Intimate, Melancholy Total Copies: 88 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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We Shall Be Free
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Somewhere Other Than the Night
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Mr. Right
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Every Now and Then
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Walking After Midnight
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Dixie Chicken
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Learning to Live Again
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That Summer
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Night Rider's Lament
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Face to Face
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Sony BMG Music (Canada) | 88697408882 | | 1992 | CD | Liberty | C2-98743 |
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Album Review
The Chase is Garth Brooks' most ambitious and personal album. Not coincidentally, it is one of his least popular releases, selling about half of what the previous Ropin' the Wind had. But in its own way, The Chase is more rewarding and deeper than Ropin' the Wind. That's partially due to Brooks' naked ambition; not only does he record "We Shall Be Free" with a gospel choir, but he tackles deeper social and personal issues than he has before. However, the true key to the album is Brooks' conviction; even when his musical experiments don't quite work, it's easy to admire and respect his ambition. Although there are light moments like "Night Rider's Lament" and a cover of Little Feat's "Dixie Chicken," The Chase is a more somber, reflective record than his previous three albums; but given a bit of a time, it's as satisfying as anything he's ever recorded. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alan Umstead | Strings | | Allen Reynolds | Producer | | Betty Smittle | Vocals, Bass | | Beverly Parker | Photography | | Bobby Wood | Keyboards, Piano | | Brent Dannen | Audio Engineer | | Bruce Bouton | Guitar (Steel), Lap Steel Guitar | | Carl Gorodetzky | Strings | | Carlos Grier | Digital Editing | | Charles Cochran | Strings, String Arrangements, Arranger | | Chris Leuzinger | Guitar (Electric) | | Christian Teal | Strings | | Connie Ellisor | Strings | | Craig Nelson | Strings | | Crom Tidwell | Merchandising | | Dan Heins | Engineer, House Sound | | Dave Butzler | Lighting | | Dave Gant | Fiddle, Keyboards | | David Davidson | Strings | | Debbie Nims | Vocals (Background) | | Denny Purcell | Mastering | | Donna McElroy | Vocals (Background) | | Elaina Gustat | Merchandising | | Garth Brooks | Guitar, Vocals, Vocals (Background) | | Gary Chapman | Vocals (Background) | | Gary VanOsdale | Strings | | Howard Smith | Vocals (Background) | | James Garver | Percussion, Vocals, Guitar (Electric) | | Jerry Joyner | Design | | Jess Leary | Guitar (Acoustic), Percussion, Vocals | | John Catchings | Strings | | John Hoffman | Lighting | | John Kinsch | House Sound | | John McBride | Production Coordination | | Johnny Cobb | Vocals (Background) | | Kim Hanson | Assistant Photographer | | Kristin Wilkinson | Strings | | Laura Molyneaux | Strings | | Lee Larrison | Strings | | Mark Casstevens | Guitar (Acoustic) | | Mark Miller | Engineer | | Mary Beth Felts | Make-Up | | Mike Chapman | Bass | | Mike Palmer | Drums, Percussion | | Milton Sledge | Drums, Percussion | | Pamela Sixfin | Strings | | Richard Aspinwall | Assistant Engineer | | Rob Hajacos | Fiddle | | Robert Mason | Strings | | Steve McClure | Guitar (Electric), Guitar (Steel) | | Steven Strickland | Lighting | | Ted Madsen | Strings, ? | | Trisha Yearwood | Vocals (Background) | | Ty England | Vocals, Guitar (Acoustic) | | Vicki Hampton | Vocals (Background) | | Virginia Team | Art Direction | | Yvonne Hodges | Vocals (Background) |
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