Album Details
Title: The Gospel Spirit Artist: Bill Monroe Release Date: 8/24/2004 Label: MCA Nashville Album Type(s): Greatest Hits UPC: 602498628669 Genre: Country Styles: Gospel, Traditional Bluegrass, Bluegrass, Bluegrass-Gospel Moods: Earthy, Plaintive, Rustic, Earnest, Exuberant, Organic, Bittersweet, Freewheeling, Passionate, Rousing, Sad, Sweet, Yearning, Sentimental, Fun, Pastoral, Rollicking, Spiritual, Amiable/Good-Natured, Reflective Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I'm Working on a Building
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I'll Meet You in Church Sunday Morning
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Lord Protect My Soul
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Angels Rock Me to Sleep
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Get Down on Your Knees and Pray
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He Will Set Your Fields on Fire
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A Voice From on High
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Let the Light Shine Down on Me
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Lord Lead Me On
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I Saw the Light
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Precious Memories
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I've Found a Hiding Place
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Life's Railway to Heaven
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Jesus Hold My Hand
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I Am a Pilgrim
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Wayfaring Stranger
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | MCA Nashville | 000290702 |
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Other Editions
- No other editions were found for this album.
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Album Review
While many country artists have made inspirational singles or albums on an occasional specialty basis, rather like making a christmas record, but spent most of their recording careers performing secular material, bluegrass music tends to admit religious subject matter as one of its constants, not, perhaps quite as frequent a topic as lost love, but fairly close. Thus, the Bill Monroe & His Blue Grass Boys' entry in MCA Nashville's series of discount-priced 2004 compilations called Gospel Spirit (there are also discs by Loretta Lynn, the Statler Brothers, and Conway Twitty) is really just a distillation of some of the group's regular recordings for the most part. Among the 16 tracks, six were cut for a 1958 religious LP, I Saw the Light, but the rest, drawn from singles dating back to 1950, are just bluegrass songs that happen to treat Christian themes, starting with a version of the Carter Family's "I'm Working on a Building," cut in 1954. One gets to hear different versions of the band. The earliest track, 1950s "I'll Meet You in Church Sunday Morning," features Monroe with his brother Birch Monroe, Jimmy Martin, and Joel Price, while the I Saw the Light tracks recorded eight years later use Edd Mayfield, Bessie Mae Mauldin or Culley Holt, Kenny Baker, and Gordon Terry (with producer Owen Bradley sitting in on an un- bluegrass-like organ on "Precious Memories," "Life's Railway to Heaven," and the closing track, "Wayfaring Stranger"). But Monroe's high tenor remains distinctive, whether playing off lead vocalists Martin, Mayfield, Charlie Cline (on 1955's "Let the Light Shine Down on Me"), or even Carter Stanley (on 1951's "Get Down on Your Knees and Pray"). And the music remains true to the high-lonesome sound of Bill Monroe's bluegrass. It's just that the lyrics on these tracks are all reverent. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Andy McKaie | Compilation, Compilation Producer, Producer | | Bessie Lee Mauldin | Bass | | Bill Monroe | Vocals, Mandolin | | Birch Monroe | Vocals, Bass (Vocal) | | Buddy Killen | Bass, Bass (Vocal) | | Carter Stanley | Vocals, Guitar | | Charlie Cline | Baritone (Vocal) | | Colin Escott | Inlay Photography | | Culley Holt | Bass (Vocal), Bass | | Doug Schwartz | Digital Remastering | | Edd Mayfield | Vocals, Guitar | | Ernie Newton | Guitar (Bass), Bass | | Farris Coursey | Drums | | Gordon Terry | Fiddle, Bass (Vocal) | | Grady Martin | Guitar | | Howard Watts | Bass | | Jackie Phelps | Guitar | | Jimmy Martin | Guitar, Vocals | | Jimmy Selph | Guitar | | Joel Price | Baritone (Vocal), Bass, Vocals | | Les Leverett | Cover Photo | | Meire Murakami | Design | | Milton Estes | Vocals, Bass (Vocal) | | Neil V. Rosenberg | Discography | | Owen Bradley | Organ | | Raeburn Flerlage | Photography | | Rudy Lyle | Vocals, Baritone (Vocal), Banjo | | Ryan Null | Photo Research |
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