Kieran Kane/Kevin Welch/Fats Kaplin - You Can't Save Everybody

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Album Details

Title: You Can't Save Everybody
Artist: Kieran Kane/Kevin Welch/Fats Kaplin
Release Date: 7/20/2004
Re-Released On: 2/7/2005
Label: Compass
UPCs: 766397438528, 5021456131099
Genre: Country
Styles: Contemporary Country, Country-Folk, Neo-Traditional Folk
Moods: Bittersweet, Intimate, Plaintive, Detached, Literate, Poignant, Warm, Earnest, Refined/Mannered, Reflective, Reserved, Sophisticated, Weary, Whimsical, Wistful, Earthy, Melancholy, Gentle, Organic, Searching, Insular, Passionate
Total Copies: 0
Members Wishing: 5
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. You Can't Save Everybody
  2. Dark Eyed Gal
  3. Hillbilly Blue
  4. Jersey Devil
  5. Somewhere in the Middle
  6. Flycatcher Jack and the Whippoorwill's Song
  7. Callin' Me
  8. Till I'm Too Old to Die Young
  9. Cecil's Lament
  10. Everybody's Working for the Man Again...
  11. Just Like That
  12. A Prayer Like Any Other

Additional Releases

YearTypeLabelCatalog #
2005CDCompass0023
2004CDCompass4385

Other Editions

  • No other editions were found for this album.

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Album Review

The phenomenon of young white men from Brooklyn doing their best to sound like old black men from Mississippi is by now so thoroughly institutionalized in pop music that it doesn't even raise an eyebrow. Which is a good thing for Kieran Kane, who's not that young anymore but is still plenty white, and whose songs tend to sound as if they'd been scraped up out of the Delta mud and wiped off perfunctorily before being performed. Kevin Welch, a native Oklahoman and longtime Nashville resident, comes by his regional inflections a bit more honestly, and writes from a similarly rough-hewn perspective. The two of them collaborate beautifully on this spare, moody collection of originals and cover songs, an album that shines brightest in its dark, quiet moments and falters only when it descends into tired homily. For the former, check out Kane's lovely but resigned title track and Welch's gentle but powerful rendition of Ron Davies' "Dark Eyed Gal," and, best of all, Welch's quietly glorious "Prayer Like Any Other," which closes the album. For an example of the latter, check out the obvious and deeply banal anti-corporate screed "Everybody's Working for the Man Again." Highly recommended overall. ~ Rick Anderson, All Music Guide

Credits

NameCredits
Charles YinglingEngineer
Claudia ScottVocals
Fats KaplinTenor Banjo, Button Accordion, Fiddle, Accordion, Guitar, Guest Appearance, Banjo
Kevin WelchMandolin, Vocals, Guitar
Kieran KaneShaker, Banjo, Guitar, Mandolin, Box, Noise, Vocals, Cover Painting
Mark MontgomeryPhotography
Philip ScogginsEngineer, Mixing, Mastering