Paul Simon - Still Crazy After All These Years [Bonus Tracks]

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Album Details

Title: Still Crazy After All These Years [Bonus Tracks]
Artist: Paul Simon
Release Date: 7/13/2004
Label: Paul Simon, Rhino, WEA International, Warner Bros.
Album Type(s): lyrics/libretto
UPCs: 081227890124, 081227890155, 4943674065233, 081227890162
Genre: Rock
Styles: Singer/Songwriter, Soft Rock, Folk-Rock, Pop/Rock, Album Rock
Moods: Calm/Peaceful, Earnest, Poignant, Reflective, Reserved, Wistful, Amiable/Good-Natured, Bittersweet, Cheerful, Melancholy, Organic, Restrained, Sentimental, Soothing, Witty, Cerebral, Detached, Intimate, Refined/Mannered, Sophisticated, Autumnal, Delicate, Exuberant, Fun, Happy, Nocturnal, Plaintive, Playful, Quirky, Reverent, Rousing, Summery, Sweet, Whimsical, Gentle, Laid-Back/Mellow, Literate, Precious
Total Copies: 0
Members Wishing: 10
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Still Crazy After All These Years
  2. My Little Town
  3. I Do It for Your Love
  4. 50 Ways to Leave Your Lover
  5. Night Game
  6. Gone at Last
  7. Some Folks' Lives Roll Baby
  8. Have a Good Time
  9. You're Kind
  10. Silent Eyes
  11. Slip Slidin' Away [#][*][Demo Version]
  12. Gone at Last [Original Demo][#][*]

Additional Releases

YearTypeLabelCatalog #
2006CDPaul Simon
2006CDWEA International278901
2006CDWarner Bros.12414
2004CDRhino78901

Other Editions

  • No other editions were found for this album.

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Album Review

The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on "50 Ways to Leave Your Lover," which became the biggest solo hit of Simon's career. But elsewhere, as on "Have a Good Time" (written for but not used in the film Shampoo and perhaps intended to express the shallow feelings of the main character), the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance. [In 2004, Warner Strategic Marketing reissued Simon's studio albums as remastered editions with bonus tracks, packaged in a cardboard digipack. Like the other Simon reissues in this series, the remastering is excellent. Still Crazy has the fewest number of bonus tracks out of any of the reissues -- just two previously unreleased cuts, one a loose and appealing demo of "Slip Slidin' Away" (later released on the compilation Greatest Hits, Etc.), the other a demo of "Gone at Last" recorded with the Jessy Dixon Singers that plays up the song's gospel origins quite expertly.] ~ William Ruhlmann, All Music Guide

Credits

NameCredits
Anthony MaggioroCover Design
April MilekProject Assistant
Art GarfunkelVocals, Producer
Barry BeckettPiano (Electric), Piano
Bill InglotRemastering, Reissue Supervisor
Bob JamesString Arrangements, Piano (Electric), Woodwind Arrangement
Bob James & CreationsString Arrangements, Woodwind Arrangement
Brian KehewProject Assistant
Burt SzerlipEngineer
Chicago Community ChoirVocals (Background)
Cory FryeProject Assistant
Dan HerschRemastering
Dave MatthewsHorn Arrangements
David HoodBass
David McLeesReissue Supervisor
David SanbornSaxophone
Eddie DanielsSaxophone
Edie BaskinCover Photo
Ginger DettmanProject Assistant
Glenn BergerEngineer
Gordon EdwardsBass
Grady TateDrums
Greg AllenReissue Art Director, Design, Reissue Design
Hugh BrownProject Assistant
Hugh McCrackenGuitar (Electric), Guitar (Acoustic)
Jerry FriedmanGuitar (Electric)
Jerry MastersEngineer
Jessy Dixon SingersVocals (Background)
Joe BeckGuitar (Electric)
Joey HelgueraProject Assistant
John BergCover Design
John StrotherProject Assistant
John TropeaGuitar (Electric)
Karen LeBlancProject Assistant
Ken AsherOrgan, Piano (Electric)
Leon PendarvisPiano
Marc SalataProject Assistant
Mark McKennaProject Assistant
Michael BreckerSaxophone, Soloist
Mike EngstromProject Assistant
Patti AustinVocals (Background)
Paul SimonString Arrangements, Guitar (Acoustic), Vocals, Horn Arrangements, Guitar (Electric), Producer
Pete CarrGuitar (Electric)
Phil RamoneEngineer, Producer
Phil WoodsSaxophone, Soloist
Phoebe SnowVocals (Background), Vocals
Ralph MacDonaldPercussion
Randy PerryProject Assistant
Richard TeePiano
Robin HurleyReissue Supervisor
Roger HawkinsDrums
Simon & GarfunkelVocals
SivucaAccordion, Soloist, Vocals
Steve GaddDrums
Steve WoolardProject Assistant
Steven CheanProject Assistant
Ted HughesAuthor
Tim ScanlinProject Assistant
Tony LevinBass
Toots ThielemansHarmonica
Valerie SimpsonVocals (Background)
Vanessa AtkinsProject Assistant