Quincy Jones - This Is How I Feel About Jazz [Bonus Tracks]

Quincy Jones - This Is How I Feel About Jazz [Bonus Tracks]
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Album Details

Title: This Is How I Feel About Jazz [Bonus Tracks]
Artist: Quincy Jones
Release Date: 3/21/1957
Re-Released On: 7/7/1992
Label: GRP Records
Duration: 66:51
Album Type(s): Instrumental
UPC: 011105011525
Genre: Jazz
Styles: Bop, Modern Big Band, West Coast Jazz, Mainstream Jazz
Moods: Complex, Refined/Mannered, Cerebral, Freewheeling, Poignant, Stylish, Carefree, Exuberant, Gentle, Innocent, Intimate, Passionate, Playful, Reserved, Romantic, Sensual, Sweet, Gritty, Laid-Back/Mellow, Amiable/Good-Natured, Elegant, Sophisticated
Total Copies: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Walkin'
  2. Stockholm Sweetnin'
  3. Evening in Paris
  4. Sermonette
  5. A Sleepin' Bee
  6. Boo's Bloos
  7. Dancin' Pants
  8. Be My Guest
  9. Kings Road Blues
  10. Bright Moon
  11. The Oom Is Blues
  12. Ballad Medley: What's New/We'll Be Together Again/Time on My Hands/You

Additional Releases

YearTypeLabelCatalog #
1992CDGRP RecordsGRD-115

Other Editions

  • No other editions were found for this album.

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Album Review

The music on This Is How I Feel About Jazz is from a period when arranger Quincy Jones was a major part of the jazz world, rather than being content just to take bows for it. Six high-quality selections from a 1956 album offer logical, swinging, and often distinct arrangements with plenty of solos from the all-star cast (which includes Lucky Thompson on tenor, altoist Phil Woods, and trumpeter Art Farmer). Highlights include "Stockholm Sweetnin'," "Walkin'," and "Sermonette." The remainder of the CD reissues two-thirds of a slightly odd collection led and produced (but not arranged) by Jones. Originally titled Go West, Man!, the LP was designed to show off the talents of west coast jazz arrangers Jimmy Giuffre, Lennie Niehaus, and Charlie Mariano. Three selections feature an alto summit with Benny Carter, Art Pepper, Herb Geller, and Charlie Mariano, and there are also some numbers with a sax section; three songs with a trumpet section had to be left out due to lack of space. Although these performances are enjoyable, it is the Quincy Jones charts that are most memorable, making one regret his decision in the early '70s to leave jazz altogether. [This version of the album includes bonus material.] ~ Scott Yanow, All Music Guide

Credits

NameCredits
Creed TaylorProducer
Irving GreenbaumEngineer
John KrausEngineer
Quincy JonesProducer