Melissa Etheridge - Never Enough

12




Album Details

Title: Never Enough
Artist: Melissa Etheridge
Release Date: 3/17/1992
Label: Island, Island Records
Duration: 45:15
Album Type(s): lyrics/libretto
UPCs: 731451212024, 0731451212024, 031451212049, 731451212048, 731451212055
Genre: Rock
Styles: Rock & Roll, Blues-Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Heartland Rock
Moods: Earnest, Earthy, Literate, Autumnal, Bittersweet, Reflective, Amiable/Good-Natured, Brooding, Detached, Gritty, Laid-Back/Mellow, Organic, Passionate, Plaintive, Rollicking, Rousing, Energetic, Intense, Lively, Rambunctious, Slick, Urgent
Total Copies: 60
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Ain't It Heavy
  2. 2001
  3. Dance Without Sleeping
  4. Place Your Hand
  5. Must Be Crazy for Me
  6. Meet Me in the Back
  7. The Boy Feels Strange
  8. Keep It Precious
  9. The Letting Go
  10. It's for You

Additional Releases

YearTypeLabelCatalog #
1992CDIsland Records512120
------CDIsland314-512120-2

Other Editions

  • No other editions were found for this album.

Similar CDs


Members who requested this CD also requested:

Album Review

In 1988, Melissa Etheridge's career ignited behind the full-throttle single "Bring Me Some Water" and her eponymous debut's earthy rock sound was hailed by critics and fans alike. The 1989 follow-up, Brave and Crazy, mixed a little grace into the grit, but was still in line with the trad rock of guys like John Mellencamp and Bruce Springsteen. While these albums had their share of introspection, 1992's Never Enough marked an even greater maturation in Etheridge's sound. Lyrically, it seemed to be the singer's most personal album yet, while a good portion of its set list consisted of heartfelt ballads. Sure, "Must Be Crazy for Me" and "Meet Me in the Back" are laced with barroom come-ons and roll with the kind of rock traditionalism that originally established her. But the largely acoustic "Boy Feels Strange" brought us inside a failing relationship, while perhaps inadvertently addressing the rumbles and rumors concerning Etheridge's own sexuality. Likewise, "Letting Go" brought her raw vocal style to a wounded, almost fragile, place not apparent before, and was guided by the plaintive notes of a solitary piano. The songs were challenging not only from a musicianship and songwriting standpoint, but also as the next steps in Etheridge's still-young career. It was a risk to issue a record like Never Enough after a three-year hiatus and into a market that might have expected "Bring Me Some MORE Water." Etheridge's choice of a single was even more gutsy. "2001" sounded nothing like anything she had done before. Guided by stuttering, synthetic percussion and a guitar line reminiscent of the Edge's postmodern squawk on U2's "The Fly," "2001" was simultaneously one of the album's coolest and craziest songs. It further indicated Etheridge's maturation as a songwriter and helped make Never Enough her strongest statement to that point. ~ Johnny Loftus, All Music Guide

Credits

NameCredits
Debra DobkinPercussion
Dennis KeeleyPhotography
Dermot MulroneyCello
Gabe VeltriEngineer, Mixing
Greg GoldmanMixing Assistant
Ian McLaganPiano, Organ
John AgutoMixing Assistant
Kevin McCormickMixing, Producer, Guitar, Vocals (Background), Bass
Mark GoldenbergGuitar (Electric), Guitar
Mauricio-Fritz LewakPercussion, Vocals (Background), Drums
Melissa EtheridgePiano, Guitar (12 String), Guitar (Acoustic), Producer, Guitar (Electric), Vocals, Guitar
Norm UngArt Direction
Randy WineMixing Assistant
Richard GibbsKeyboards
Scott ThurstonKeyboards
Stephen MarcussenMastering
Steuart SmithGuitar (Electric), Guitar