Album Details
Title: Campfire Songs: The Popular, Obscure & Unknown Recordings Artist: 10,000 Maniacs Release Date: 1/27/2004 Label: Rhino Records Album Type(s): Greatest Hits UPCs: 081227390020, 081227390068 Genre: Rock Styles: Jangle Pop, Adult Alternative Pop/Rock, Alternative/Indie Rock, College Rock Moods: Bittersweet, Cerebral, Earthy, Gentle, Literate, Melancholy, Poignant, Sad, Wistful, Intimate, Reflective, Plaintive, Autumnal, Earnest, Soothing Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Planned Obsolescence
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My Mother the War
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Tension
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Scorpio Rising
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Like the Weather
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Don't Talk
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What's the Matter Here?
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Hey Jack Kerouac
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Verdi Cries
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Trouble Me
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Poison in the Well
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You Happy Puppet
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Eat for Two
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Stockton Gala Days
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Candy Everybody Wants
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These Are Days
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Because the Night
Track Listings Disc 2
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Poppy Selling Man [#]
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Can't Ignore the Train [#][Demo Version]
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Peace Train
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Wildwood Flower
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Hello in There
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To Sir With Love
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Everyday Is Like Sunday
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These Days
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I Hope That I Don't Fall in Love with You
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Starman
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Let the Mystery Be
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Noah's Dove [#][Demo Version]
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Circle Dream [Alternate Lyrics Demo][#][Demo Version]
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Eden [Alternate Lyrics Demo][#][Demo Version]
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | Rhino Records | 73900 |
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Other Editions
- No other editions were found for this album.
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Album Review
Spanning 31 songs and two discs, one covering "The Most Popular Recordings" (aka "The Hits") and one covering "The Obscure & Unknown Recordings" (aka "The B-Sides and Cover Versions"), Rhino/Elektra's 2004 compilation Campfire Songs: The Popular, Obscure & Unknown Recordings of 10,000 Maniacs is as good a career overview as could be assembled. The hits disc may miss a minor charting single like "Few and Far Between," but it has all the songs of note, from the hits to album tracks. Meanwhile, the rarities are devoted pretty much to B-side covers in addition to four previously unreleased demos, the early outtake "Poppy Selling Man," plus their cover of Cat Stevens' "Peace Train," which was removed from latter-day editions of In My Tribe. There's enjoyable stuff on both discs -- the singles "Like the Weather," "What's the Matter Here?," "Trouble Me," "Candy Everybody Wants," and "These Are Days" are very good indeed, laying the groundwork for adult alternative pop/rock, while the early demos on the second disc are livelier than most Maniacs material and the Michael Stipe duet on "To Sir With Love" is a priceless artifact from the height of Clinton optimism (which faded quite quickly). But even these moments have the Achilles' heel of a production that is far too big for the group's gentle simple songs. Overall this expertly assembled collection -- which is as good as a 10,000 Maniacs anthology could be -- is best as a time capsule, capturing the earnest, precious optimism and PC nature of American college rock before grunge came along and dirtied everything up. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | 10,000 Maniacs | Compilation, Producer | | Albert Garzon | Producer, Engineer | | Alex Mock | Project Assistant | | Amanda Kramer | Organ (Pump), Piano | | Andrew Catlin | Photography | | Andy Zax | Project Assistant | | Anthony DeCurtis | Liner Notes | | April Milek | Project Assistant | | Atsuko Sato | Bassoon | | Bill Dillon | Mandolin, Slide Guitar, Guitar (Acoustic) | | Bill Inglot | Remastering | | Bill Waldman | Producer, Engineer | | Bob Magnusson | Bass | | Bruce Dukov | Violin | | Dan Hersch | Remastering | | David Campbell | String Arrangements | | Dennis Drew | Organ, Group Member, Piano, Accordion, Liner Notes | | Dennis Karmazyn | Cello | | Don Grolnick | Piano | | Ebet Roberts | Photography | | Ed Thacker | Mixing, Engineer | | Emily Cagan | Project Assistant | | Frank Filipetti | Engineer, Mixing | | Frank Wolf | Mixing | | Fred Wesley | Trombone | | Gary Smith | Producer | | George Massenburg | Mixing, Engineer | | Gina Tampio | Engineer | | Ginger Dettman | Project Assistant | | Jane Scarpantoni | Cello | | Jay Vicari | Engineer | | Jerome Augustyniak | Percussion, Drums, Liner Notes, Group Member | | Jerry Boys | Engineer | | Jerry Marotta | Percussion | | Jevetta Steele | Voices | | Jim Foti | Drums | | Joe Barbaria | Remixing | | Joe Boyd | Producer | | Joélle Depónt | Photography | | John Lombardo | Bass, Guitar, Group Member, Liner Notes, Vocals | | Karen Ahmed | A&R | | Kim Laskowski | Bassoon | | Larry Corbett | Cello | | Laura Lavine | Photography | | Lenny Kaye | Producer | | Maceo Parker | Sax (Alto) | | Marc Salata | Project Assistant | | Mary Lynch | Design Assistant | | Mary Ramsey | Violin, Viola, Vocals (Background) | | Mary Van Houten | Engineer | | Matt Abels | Project Assistant | | Mike Scott | Engineer | | Morgan Fichter | Violin, Vocals (Background) | | Natalie Merchant | Group Member, Photography, Art Direction, Liner Notes, Compilation, Piano, Vocals | | Novi | Viola | | Pam Taylor | Photography | | Pamela Goldsmith | Viola | | Paul Buckmaster | Arranger, Conductor | | Paul Fox | Producer | | Paulinho DaCostam | Percussion | | Pee Wee Ellis | Sax (Tenor) | | Peter Asher | Producer | | Ralph Morrison | Violin | | Randy Perry | Project Assistant | | Richie Stearns | Banjo | | Rob Marinissen | Photography | | Robert Buck | Synthesizer, Group Member, Mandolin, Devices, Guitar, Banjo, Pedal Steel | | Robin Hurley | A&R | | Steve Gustafson | Guitar, Liner Notes, Bass, Group Member | | Steve Woolard | Liner Notes | | Steven Chean | Project Assistant | | Tim Scanlin | Project Assistant | | Tony Harris | Engineer |
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