Album Details
Title: Julie Is Her Name, Vols. 1-2 Artist: Julie London Release Date: 7/28/1992 Label: EMI, Import Duration: 56:18 Album Type(s): Greatest Hits, lyrics/libretto UPCs: 4988006794511, 077771014741, 077779980420, 077779980444, 762185150023, 762185185346 Genre: Vocal Music Styles: Cool, Traditional Pop Moods: Delicate, Elegant, Intimate, Laid-Back/Mellow, Relaxed, Warm, Amiable/Good-Natured, Calm/Peaceful, Gentle, Melancholy, Nocturnal, Reserved, Romantic, Sensual, Soothing, Sophisticated, Stylish, Bittersweet, Humorous, Reflective, Wistful, Refined/Mannered Total Copies: 0 Members Wishing: 6 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Cry Me a River
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I Should Care
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I'm in the Mood for Love
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I'm Glad There Is You
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Can't Help Lovin' Dat Man
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I Love You
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Say It Isn't So
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It Never Entered My Mind
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Easy Street
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'S Wonderful
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No Moon at All
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Laura
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Gone With the Wind
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Blue Moon
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What Is This Thing Called Love?
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How Long Has This Been Going On?
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Too Good to Be True
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Spring Is Here
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Goody Goody
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The One I Love (Belongs to Somebody Else)
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If I'm Lucky
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Hot Toddy
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Little White Lies
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I Guess I'll Have to Change My Plan
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I Got Lost in His Arms
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Import | 9303 | | ------ | CD | EMI | 99804 |
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Other Editions
- No other editions were found for this album.
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Album Review
In 1955, Julie London's British mezzo melted the hearts and spines of thousands. From the opening notes of "Cry Me a River," with Barney Kessel's silky chords shimmering around her, London took the sultry approach and smoldered through classics such as "I Should Care," "I'm Glad There Is You," "Gone With the Moon," "Easy Street," and others. London could sing, but her sex appeal overtook the material. London oozed sex appeal to the degree that her lyrics just dripped from her mouth like honey. Needless to say, the set took off like a rocket. Three years later, looking for another hit, she recorded a second volume with Howard Roberts on guitar and Red Mitchell on bass. The material was drawn from likewise sultry sources, but London's voice had matured so the vocal performances matched the sexiness. And while not so hot emotionally, vocally, the second set -- with Cole Porter's "What Is This Thing Called Love," Irving Berlin's "I Got Lost in His Arms," and Johnny Mercer's "Goody-Goody" -- swings much more and created pretty much the same reaction. London's voice, which has undergone several revivals from movies to books to dance clubs, is considered among the most evocative of the time period, and the epitome of sexual promise. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Adam Block | Producer, Executive Producer | | Arthur Hamilton | Composer | | Arthur Schwartz | Composer | | Barney Kessel | Guitar | | Bill Ballance | Liner Notes | | Bob Norberg | Remastering, Digital Mastering, Mastering, Engineer, Remixing | | Bobby Troup | Producer | | Clay Boland | Composer | | Cole Porter | Composer | | Dawn Eden | Liner Notes | | Diane Cuddy | Design | | Evans & Mann | Composer | | Fields & McHugh | Composer | | George Gershwin | Composer | | Henry Marquez | Art Direction | | Howard Roberts | Guitar | | Irving Berlin | Composer | | Isham Jones | Composer | | Jeff Daniel | Project Coordinator | | Jerome Kern | Composer | | Jimmy McHugh | Composer | | Joel Whitburn | Chart Information | | John Neal | Engineer | | Johnny Mercer | Composer | | Jones & Carlton | Composer | | Josef Myrow | Composer | | Julie London | Main Performer, Vocals | | Madeira & Dorsey | Composer | | Mercer & Raksin | Composer | | Phil Howard | Photography | | R. Flanagan & H. Hendler | Composer | | Ray Leatherwood | Bass | | Red Mitchell | Bass | | Rodgers & Hart | Composer | | Ron Furmanek | Mastering, Producer, Reissue Producer, Remixing, Engineer, Digital Mastering | | Steve Kolanjian | Annotation, Track Annotations | | Ted Keep | Engineer | | Walter Donaldson | Composer | | Weston/Stordahl/Cahn | Composer | | Wrubel & Magdison | Composer |
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