Album Details
Title: Careful What You Wish For Artist: Texas Release Date: 10/14/2003 Re-Released On: 12/1/2003 Label: Mercury, Universal Distribution Album Type(s): Enhanced CD-ROM UPCs: 602498656976, 602498657102, 0602498657126, 0602498144718, 0602498657102, 4988005351289, 602498144718, 602498657126, 060249865710 Genre: Rock Styles: Soul, Alternative Pop/Rock, Blue-Eyed Soul, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Soothing, Stately, Earnest, Elegant, Romantic, Sensual, Sentimental, Stylish, Poignant, Reflective, Sexy Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Telephone X
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Broken
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Carnival Girl
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I'll See It Through
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Where Did You Sleep?
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And I Dream
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Careful What You Wish For
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Big Sleep
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Under Your Skin
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Carousel Dub
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Place in My World
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Another Day
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Mercury | 9814471 | | 2003 | CD | Mercury | 9865710 | | 2003 | CD | Mercury | 9865712 | | 2003 | CD | Universal Distribution | 1031 | | 2003 | CD | Mercury | 9865697 |
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Other Editions
- No other editions were found for this album.
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Album Review
Texas took a bit of time to deliver the follow-up to Hush -- an indication that the group was either aware that some fans didn't feel the record was up to snuff, or an indication that the group wasn't quite sure where to go next, a theory bolstered by the appearance of a greatest-hits album -- a traditional measure for a band biding their time. When they finally did release their sixth album, Careful What You Wish For, in the fall of 2003, times had changed: they were no longer a shoo-in for the top of the U.K. charts, nor did they have a U.S. contract. Faced with this situation, the group crafted a very safe, very mature, very British set of soulful adult pop. There are the usual concessions to hipness -- a few of the beats gleam with modernity, there is the de rigueur cameo from rappers -- but this is solidly a smooth, soulful collection of well-crafted pop that intentionally plays it safe. It's not quite as lush as Hush, which highlighted Sharleen Spiteri's sexiness, nor is it the crackerjack, stylish, modern, blue-eyed soul of White on Blonde, which remains their highwater mark. Instead, it's a straight-ahead album that plays to their strengths without exploiting them. In other words, while this is certainly enjoyable as it spins, it doesn't provide many memorable moments. Since the band consciously tried to construct an album that evokes their best work, that's not an entirely surprising result -- they're so intent on delivering a specific sound, they've neglected to spend as much time on the songs -- and it's not a bad result, either, at least on the surface. But once you dig beneath the surface, there's not as much to offer as on White on Blonde, and, for that matter, the surface doesn't glisten as seductively as on Hush, either. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Ally McErlaine | Group Member, Guitar | | Ash Howes | Mixing | | Cecilia Weston | String Arrangements | | Ceri Evans | Keyboards, Producer, Drum Programming, Mixing | | Cheryl Crockett | Strings | | Earl Harvin | Drums | | Eddie Campbell | Programming, String Arrangements, Group Member, Keyboards, Piano | | Georgia Boyd | Strings | | Greg Lawson | Strings | | Guy Chambers | Guitar | | Ian Broudie | Producer, Guitar | | Johnny McElhone | Guitar, Group Member, Bass, String Arrangements, Keyboards, Piano, Programming | | Juergen Teller | Photography | | Laura Ghiro | Strings | | Mark "Spike" Stent | Mixing | | Sam Wilson | Design | | Sharleen Spiteri | Guitar, Group Member, Vocals, Piano, Keyboards | | Steven Baillie | Design | | Tim Young | Mastering | | Trevor Horn | Bass, Producer |
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